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ANDY SHAUF - LIVING ROOM
ANDY SHAUF - LIVING ROOM

ANDY SHAUF - LIVING ROOM


With a sincereness of heart and a voice that cuts through the movement, monotony, and chatter of life, Andy Shauf tells his listeners a new story throughout his new album Neon Skyline. Meandering through moody clarinet, he introduces to the storyline of this album the unprecedented, yet familiar reflection of a character named Claire, in his single "Living Room." The track invites the listener into a local bar to engage in a listening of the story of a woman who verbalizes her attempt to reconcile the lack of care that her father had with her through the parenting of her own son, however, her story brings her clarity enough to come to terms with the harrowing fact that she resembles her father. Toward the end of the song, Shauf repeats a poignant lyric: “I mean how hard is it to give a shit?” drawing the story to a close. With this single, Shauf does not only introduce something with an alluring sound, but also a brilliant cascade of meaning masked in simplicity.

Laney Esper on January 27, 2020
​The Districts - Cheap Regrets

​The Districts - Cheap Regrets


The Districts continue their string of releasing vibrant, exciting new singles with the tricked-out track “Cheap Regrets.” This catchy rock anthem is the second release from their upcoming album, You Know I’m Not Going Anywhere, due out March 13th via Fat Possum Records. Explosive electric guitars and spacey synths are at the front of a grand arrangement that evokes a lavish sort of recklessness. The track expertly toes the line of overwhelming your senses without ever fully crossing it. Pumping drums and tight production keep the momentum alive and the instrumentation loud without being too heavy, and vocalist Rob Grote’s performance is raw, energizing, and totally transfixing. Like a guilty pleasure you just can’t kick, “Cheap Regrets” is addicting and evocative through explorative soundscapes and cool, electric hooks. You’ll lose yourself in it and love every second.

Britnee Meiser on January 24, 2020
Frances Quinlan - Your Reply

Frances Quinlan - Your Reply


The intro of “Your Reply” could soundtrack that unmistakable last shot of every feel-good teen movie, in which the protagonist asserts that everything really is turning around. It’s a change of tone for Frances Quinlan, but it’s a welcome experiment from the Hop Along bandleader not often described as cheery. The song has none of her signature snarls but makes up for it with an extra helping of her signature verbose wit. “The author, I read, fell from a window many stories high / Stretching out to feed pigeons or a stray cat depending on the website,” she sings, her delivery charming and unconventional. After a jaunty, singsong chorus, the most pleasant moment in a wholly pleasant track comes when Quinlan, stuffed with chicken and wine after dinner with her aunt, stretches out a verse to simply add, “Dinner, by the way, was divine.” Of the song, Quinlan said, “The speaker is frustrated at coming so close to understanding another person completely, but perhaps only just missing the mark. But still what a gift that is, to come close.”

Daniel Shanker on January 24, 2020
Glassio - Are You Having Fun Without Me?

Glassio - Are You Having Fun Without Me?


Irish-Iranian songwriter and producer Glassio’s newest single “Are You Having Fun Without Me?” is a melancholic dream-pop rumination on the slow evanesce of an old friendship. The Queens-based artist combines storytelling with synths in a believably nostalgic way as he asks questions he will likely never know the answer to: “are you having fun without my love? / are the problems gone without me? / or have they just begun?” His voice sitting soft and low amongst the dance-pop production adds a level of authenticity. It’s confessional and honest without leaning too far into the melancholy. Though it may be a little too soft to dance to, it is perfect for a late-night drive spent thinking. “Are You Having Fun Without Me?” is Glassio’s first release since his 2019 debut EP Age of Experience. It is also the first single off of upcoming debut album due out this spring.

Corey Bates on January 24, 2020
Orion Sun - Ne Me Quitte Pas (Don’t Leave Me)

Orion Sun - Ne Me Quitte Pas (Don’t Leave Me)


Orion Sun creates gorgeous energy in her latest single “Ne Me Quitte Pas (Don’t Leave Me)." The singer, also known as Philadelphia-based Tiffany Majette, crafts a track filled with loving and deliberate harmonies that surround the listener in a warm embrace. The hook repeats, “It feels so good to know ya / It feels so damn good to know ya,” reminiscent of the feeling of being in love for the first time with someone new. Majette’s smooth voice radiates a calm storm—soft sentiments wrapped up in honest words that are as awe-inspiring as they are relatable. The production has a vintage feel at the start, calling back to other songs of the same title while still owning its unique sound and meaning. As Majette’s collection of songs continues to grow this year, we can look forward to more soul healing hits like this one. In the meantime you can check out her amazing first album A Collection of Fleeting Moments and Daydreams and her self-produced music video for “Ne Me Quitte Pas (Don’t Leave Me)."

Julie Gentile on January 23, 2020
Ratboys - I Go Out At Night

Ratboys - I Go Out At Night


Every song by Chicago's Ratboys can be traced back to the dormitory friendship of singer Julia Steiner and guitarist Dave Sagan in the first days of school at Notre Dame. Sometimes the lineage is literal, as with their newest single, “I Go Out At Night,” in which they lifted a guitar part from the skeleton of a song they wrote in that era. But more often even than that, a Ratboyssong will faithfully capture the wide-eyed sense of wonder endemic to that period in one’s life, exploring emotional territory usually reserved for late nights on a futon. Multiple guitars bash against the walls of the song’s structure, trying to break free in the abstract way that an adolescent dreams of being free. “What if I never come home?” wonders Steiner, but the band shows immense restraint, never forcing that thought to develop beyond the daydream that it is. Steiner’s biggest strength is in her tactful vocal delivery, whispering where others would shout, allowing her melodies to shine through the noise.

Daniel Shanker on January 23, 2020
Zoochie - Look Back On It

Zoochie - Look Back On It


What begins as a chaotic, tense guitar solo glides seamlessly into a slow, sultry rock tune on “Look Back On It,” the second track off of New Brunswick indie-rock outfit Zoochie’s debut album Honey. Lead vocalist Libby Kallins tells the tale of that first date we all know too well: one that you want to be over before it’s even started because the connection just isn’t there. She sings, “Snap, it’s gone in a second / Every minute left with you, I guess it could be depressing / But it’s not, it’s gone in a moment / And I don’t know what I’ve got until it’s left me uneasy.” The song is dynamic, taking us on a sonic journey through strong, powerful interludes and softer, more thoughtful moments. Drawing inspiration from artists like Hiatus Kaiyote, Cage the Elephant, and Frank Zappa, the group clearly showcases their passion for creating music that listeners will want to feel and dance to. After three years in the making, Honey is the compilation of songs composed from stories wild, calm, and heartfelt that the band has personally experienced throughout their time together. With its infectious energy and vibrant colors, “Look Back On It” is the perfect glimpse into what Zoochie has to offer.

Dana Schwartz on January 22, 2020
David Keenan - Unholy Ghosts

David Keenan - Unholy Ghosts


“I was gifted a book by somebody who loved me / About a man who got even with God,” sings David Keenan, and then the story begins to unravel. In “Unholy Ghosts,” a standout track from his latest album, A Beginner’s Guide to Bravery, we follow Keenan through meetings with a one-eyed tramp and a drunkard playing a wooden piano, his turns of phrase and run-on sentences treating the listener to vivid imagery developing patiently. “I wrote this song on a train from Amsterdam to Cologne, finished it as the train ceased to move, brought it in me to a Chapel in Cologne, sang it for the first time, left the Chapel with a liberated German bible under my arm as a souvenir,” he wrote in a Facebook post, demonstrating that his daily life is as fanciful and his daily speech as poetic as his songwriting. A comparison to Glen Hansard is almost too easy, but not unfair to either party, both fitting the mold of buskers with ideas too big for their streetcorners. The arrangement of “Unholy Ghosts” is booming, nearly to the point of spilling over, but beneath it all we hear David Keenan for who he is: an ambitious musician shouting his heart out.

Daniel Shanker on January 22, 2020
Soccer Mommy - circle the drain

Soccer Mommy - circle the drain


Following her popular first record Clean, Soccer Mommy (aka Sophie Allison) continues to release songs with hooks that’ll replay over and over again in your head. Like her two previous singles, her latest track “circle the drain” retains her signature guitar-driven soundscape. She mixes it with emotionally revealing lyrics that are delivered through angelic vocals. Her voice flutters inside your ears, tricking you with its warmth—making it easy to gloss over the depth and dissonance in her words. Wrapped up in her cheerful sounding production she sings, “Hey I’ve been falling apart these days / Split open watching my heart go round and around,” the duality of her artistry floating out in the most beautifully subtle way. Allison’s work is perfect for staring out the train car window during your commute and reminiscing about the times that have already passed you by. Her new album color theory comes out February 28 and you can also catch her on the road when she starts her international tour in March.

Julie Gentile on January 21, 2020
Ethan Gruska feat. Phoebe Bridgers - Enough for Now

Ethan Gruska feat. Phoebe Bridgers - Enough for Now


It must be daunting to be related to the composer of some of the world’s most memorable melodies. If intimidated, Ethan Gruska,grandson of famed film composer John Williams, doesn’t show it. Already making a name for himself as a producer, “Enough for Now” is a welcome insight into his identity as a songwriter, while showing off his obvious production talents. Little instrumental nuggets, like that unmistakable trill of a violin, remind us that Gruska co-produced Phoebe Bridgers’ earthquake debut, Stranger in the Alps. Whereas that album’s strongest moments lie in its sonic subtlety, Gruska, in an in-studio video, compliments the track’s renowned producer, Tchad Blake, on his ability to make songs “aggressively come through the speakers.” The relentless drum patch, either digital or an intentional imitation, harkens back to The Postal Service, whose debut album’s title, Give Up, shares a sarcastic resignation with Gruska’s lyrics. “Maybe I’ll try / Maybe I’ll die trying,” he sings, enlisting the help of Bridgers herself. Tapping into the same nostalgia as Bleachers or Stranger Things, Gruska sees this solo effort as a success, telling Stereogum, “It has that irreverence I wanted, despite its sweetness.”

Daniel Shanker on January 21, 2020
Fake Dad Feat. Leke - Big King

Fake Dad Feat. Leke - Big King


Nostalgic and lush, “Big King,” the catchy new single from Brooklyn-based duo Fake Dad, is lo-fi midnight magic. The track defies genres, pulling from indie pop, r&b and rap elements, and emphasizes the opulence and fantasy of influence by juxtaposing cool, dreamy beats with images of grandeur. The instrumentation is delightfully strange: a lovely, reverberating piano and groovy, r&b-inspired percussion coast over the satisfying crackle of a retro synth, while rapper Leke’s verse is a surprising and energizing addition to the arrangement. The track’s cozy, crisp production evokes the indulgence of late-night pillow talk and unfiltered intimacy and is the perfect compliment to vocalist Andrea de Varona’s velvety, ethereal voice. Her lyrics conjure up images of a big king ruling precariously over a glass mountain, lending themselves to larger questions of success and its relationship to truth. “Big King” is pensive and dynamic, and adds an entirely new dimension to Fake Dad’s signature comforting sound.

Britnee Meiser on January 16, 2020

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