Caroline Loveglow - Patience Etc...
With her debut single, LA singer-songwriter Caroline Loveglow creates an indie-pop dreamscape with swelling synthesized pads, a tight drum groove and her silvery vocals. Produced by Loveglow herself, the song’s use of hypnotic minimal instrumentation and a generous dose of reverb allows for her vocals to shine through. The melody is infectious and the hook will leave you singing along in your head long after the song is over. Euphonious, the track features lyrics that tell the story of laborious love and the slow and cautious attempts to make it work. Loveglow’s songwriting is precise and punctilious, painting a clear image with few words and the poetic nature of the lyrics radiate with the line “if you don’t mind, I want to see daylight through your eyes.” “Patience Etc…” is a track that is sure to be enjoyed by fans of dreamy pop melodies and clever songwriting. Photo by Arianna.— Sofia Soriano on August 4, 2021
CARR - Loser
The latest single from New Jersey-born, Los Angeles-based musician CARR is the cathartic alt-pop breakup song we all need to hear at some point in our lives. Breakups are almost never easy, but it helps when you have a song like this one reminding you that you can do so much better, that you don’t settle for less, and that you don’t need to waste any more of your time on anyone who’s dishonest or unworthy. The lyrics are brutal, deadpan in their delivery, the percussive beat heavily syncopated over the occasional high-pitched echo of a dreamy synth that lightens the song’s tone and hints at optimism. Tight, muted vocals over pop-punk guitar riffs drag the song’s subject mercilessly, as CARR repeats what feel like mantras, among them, “I’m glad you’re gone, I’m glad I left,” building towards the antithesis of the song’s title. The last line of the song is a conclusive and undeniable takeaway we can all apply to ourselves in our relationships, romantic and otherwise: “Gotta be a winner if you’re getting with me.” Photo by CJ Harvey.— Maya Bouvier-Lyons on August 4, 2021
Zach Wood and Hollan - Water
The folk track "Water" finds its author caught in an undertow of their own invention. Neither belonging here nor there, the subject of "Water" is a victim to the formidable, pulsing current of indecision that plagues so many young people. This track is a gorgeous representation of that distinct, transient turbulence that meets every 20-something. Your 20s is truly the first period in one's life where they're confronted with societal expectations, but the way those expectations are handled is contingent on personality or circumstance. While some dive in full force and prosper, the nuances of self-actualization can leave some flailing for a time, struggling to keep plants alive. And others still, like our troubadour in "Water," would rather muse with wonder on future prospects and possibilities instead of hating or fearing them. But that doesn't leave our speaker free of tension: with the lyric "I have always been this way," as dreamy and endearing as it is indicative of its author, it's clear that the onus is on the speaker to balance the delicate push and pull of obligation/reality vs. freedom/dreaming. Bringing these themes to the forefront is an interesting and engaging songwriting method from Zach Wood and Hollan that has us looking forward to their collaborative EP Cowgirland, due out August 6. Photo by Anna Manotti.— Hannah Lupas on August 3, 2021
Thomas LaVine - Open Sea
The last thing he wanted to do was leave her, but the water cried for him in all of its stupid thundering pale blue. He was comfortable; his bare ass in the sand, her bare ass in the sand, their hands interlocked. Her tears were saltier than the sea’s. She wasn’t much of a swimmer, but the boy practically grew up with gills for skin. He drove her crazy, and she drove him home. But their car was as foreign a mode of transportation to them as a watery wooly mammoth or a Bowhead whale. They were young—young as they would ever be, and they were white—white as porcelain or milk. The sun shone hard on the nude beach. He cupped her miniature face in his large palms and, thirsting, slurped up her tears, his moppy black hair tickled her forehead. She wasn’t scared anymore. They weren’t going home. They were going into the open sea, she knew now, she could tell by the lighthouses in his eyes. He stood first, naked as he was on the day he was born—a day she would come to celebrate—and took off running, splashing, shouting, sensing, sending. She laughed, and she followed.
Thomas LaVine lifts listeners into the sentimental Wedding Crashers scene when Owen Wilson and Rachel McAdams have a heart-to-heart on the beach. That’s how good of a job the indie-folk artist from North Carolina carries out on “Open Sea,” a song that reads like a moment, dedicated to lovely decisions and the best of both worlds.— Mustafa Abubaker on August 3, 2021
Clairo - Reaper
There are moments in Sling, Clairo's newly released sophomore LP, that feel so eloquent and personal, I have to remind myself that I haven't accidentally accessed someone's private voice memos. "Reaper" is one of these transcendent, mature and especially affecting moments on the record. A love letter to her mother (and the prospect of motherhood in and of itself), "Reaper" was the first track Claire Cottrill penned for the album. I'll refrain from over-explaining that this album is musically distinct from its predecessor Immunity—I'll let you have the pleasure of delving into it yourself. But it's worth mentioning, for this song in particular, that Clairo is emerging as an excellent folk writer. She's clearly drawing inspiration from some of the best Americana acts of the last century, emulating everyone from Joni Mitchell or Crosby, Stills and Nash to Fleet Foxes. But don't misunderstand: Cottrill is hardly a copycat. She's carving out a sound and a voice that is entirely her own.
I, like a lot of young people during the pandemic, had the opportunity to be home with my parents for a while. Reacquainting myself with them as an adult was inspiring and hard, and most frequently filled me with a sense of hope. It is this broken hope, a hope that comes from deep, empathetic understanding, that Cottrill communicates so effectively in "Reaper." This is why it resonates so deeply with listeners. This shattered but aspirational reaching toward life reverberates through the entire record and is punctuated in the frail, little pockets of her expertly sewn lyricism. "I'm born to be somebody, then somebody comes from me / I'll tell you about the Rabbit Moon and when to keep walking" are some of my favorite lines from this track, and are all the more permeating through Cottrill's signature soft vocals.
Clairo's ability to empathize so specifically with the speakers of her songs makes her one of the wisest and most interesting young performers right now. Sling was well worth the wait. It's a clear reflection of the hard work and thoughtfulness of an expert writer honing her craft. Photo by Adrian Nieto.— Hannah Lupas on July 29, 2021