Test Subjects - Interstate of Mind
If you ever cried while listening to “driver’s license,” put on Test Subjects’ “Interstate of Mind.” Like Olivia Rodrigo’s standout hit, “Interstate of Mind” takes place on a long drive, reminiscing about an ex from the summer of being 17. Beyond these similarities, though, the track’s uniquely immersive blend of found sounds, acoustic/electronic instrumentation and cascading melodies feels as fresh and restorative as sudden rain.
Rain is important to this Test Subjects’ track. The song takes place over the course of a rainy highway drive, setting the scene with the opening lines like “Doing laps on the freeway / On a Sunday / There was no one else on the road / Nothing else to do / Nowhere else to go.” The lyrics throughout are both descriptive as well as delicately poetic. A thunderstorm over the highway becomes “somewhere in the sky there’s an open eye raining down onto me / I don’t really mind / but I can barely see.”
“Interstate of Mind” unfolds like a highway: smooth and steady, with sudden flashes of color and detail. What seems like a “no thoughts, just vibes” experience evolves into reflecting on a lost relationship before you know it (as these trips so often do). Test Subjects’ vocals are sweet on devastatingly simple lines like, “You put a ding in my bumper / I popped it out by myself / Now you’re wrecking someone else.”
Pressing play on “Interstate of Mind” plunges the listener into that uniquely meditative state you might find yourself in on a long drive. Percussive elements like blinkers and windshield wipers blend with subtle choices in the mix that place you in the driver’s seat of the car; this is a song for headphones. The saxophone playout towards the end is just one example of the endless surprises in store on this fascinating track. You’ll be tempted to keep singing, “Do you think about that summer?” long after “Interstate of Mind” ends—maybe even longer than you ever thought about that ex in the first place.— Belle Shea on November 19, 2021
Euan Blackman - HIGHHIGHHIGH
With flickering plucks of springy acoustic guitar and the wonderfully contrasting sound of muddy bass, Euan Blackman strolls in with his third single, “HIGHHIGHHIGH." Blackman sings of a common likeness amongst all of humankind: the desire to forget the past. This is not just any song about utilizing substances to distract from the present—it is a self-aware recognition of that escape, as well as a commonplace for theorizing. “Is it decadence to wanna feel right?” Blackman asks, in implied sleeplessness over the question. This sanguine tune is a crossing-paths of loss and hope.— Laney Esper on November 3, 2021
Phoebe Bridgers - That Funny Feeling (Bo Burnham Cover)
The intersection of these two titans' talent is truly a blessing to the coinciding fanbases of emo rock and alternative comedy. What may seem like a slim Venn diagram has actually proven to be quite robust, as fans' recognition of this track at Phoebe Bridgers' recent live shows implies Punisher wasn't the only album this ghost-and-skeleton-clad crowd has been spinning. "That Funny Feeling," originally written and performed by Bo Burnham, one of comedy's premier talents, is a standout from his most recent special Inside, which landed on Netflix in May of this year and nearly broke the internet in the process. If you're familiar with Bo and Phoebe, it shouldn't shock you that she heard this song and loved it. The intelligence and poignance fit the bill of what she imbues in her own work. The articulation of general complacency in the midst of societal collapse, climate crisis and international neural numbing is crystal clear and sharp as a knife in this rendition. There's a certain brand of nihilistic nuance shared by the two that strikes a chord with fans.
If this description seems abstract, it's intentional. I'd rather you take a moment to listen to Bo's original track (which you can find on streaming services, or even better, in context while watching his special on Netflix) and then take a moment to listen to Phoebe's cover. Not long ago, the two performed this song together for the first time at Largo in LA, an undoubtedly special experience for the audience; "That Funny Feeling" has since become a part of her setlist, a pleasant and near-perfect fit for the live show, as the song itself melds seamlessly into the narrative of Punisher, an echo or sister song to "I Know The End." If I wasn't already privy to Bo's work, I might mistake it for one of her original songs. The folk base of it appeals to her roots, while Phoebe brings a more explosive element to the track by adding horns and a longer, evolving outro. I'm thankful Bo and Phoebe sparked a friendship clearly built on philosophical and artistic similarities, and I hope it means we'll see more collaborations between the two of them in the future. Photo by Daria Ritch.
binki - Invisible Fence
binki’s “Invisible Fence” is both a breath of fresh air and a certifiable bop. Blending driving, distorted guitars with punchy drums and bubbly synths, the song has a gritty authenticity that invites multiple listens. It pulls from the best of classic Kid Cudi-esque flow as much as from the sonic world of alt-punk to deftly weave a musical landscape that’s all its own.
The most exciting part of this song, though, is binki’s fresh, playful lyricism, on display in every verse. “Wanna wake up in Bed-Stuy like Aladdin / Got a whole world I can show you” is just one easy example, but binki also toys with closely related rhymes like, “The other night was like gymnastics, doing backflips / Think it’s crazy how you acting, are you an actress?” Binki’s lyrics mine fresh material out of every metaphor that bubbles up, doubling back on his own ideas before jumping suddenly to an equally juicy new concept. The ideas, whether lyrical or sonic, never overstay their welcome, but stick around just long enough to land.
“Invisible Fence” can most easily be categorized as the kind of free-flowing, hooky groove that fans of binki have come to expect. Like Childish Gambino and Tyler, The Creator, two artists who he cites as inspiration, binki defies genre while pulling in the best of what makes alt-pop catchy. “Invisible Fence” is no exception. Photo by Sophie Day.— Belle Shea on October 29, 2021
Mabes - Fairground
Retro, shimmering guitars, dreamy 2000s-inspired vocals and a tight drum groove all make this track by Mabes shine. “Fairground” is a perfect road trip song, allowing you to skim over the surface of past heartbreaks without diving in too deep. “Love is a fairground,” sings Mabes, “I spent my last pound trying to win.” It’s the kind of sentiment everyone can relate to without trying—luckily, the bright folk-rock arrangement keeps the listener moving forwards through the delicately phrased sorrows of the lyrics without getting lost in them.
The bells and soaring strings are subtle but brilliant elements hiding in plain sight in this track. They give a sense of push and pull at key moments without ever overpowering the guitars or over-sweetening Mabes’s alluring, irony-tinged vocal delivery. “Fairground” as a track has a laid-back, self-assured sense of fun. Like any carnival game, you’ll want to play it over and over again. And like a doomed love affair, you won’t care if it ends the same way every time. Photo by Theo Batterham.— Belle Shea on October 28, 2021