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Campdogzz - Southern

Campdogzz - Southern


Despite her prowess as a vocalist, Campdogzz frontwoman Jess Price is, firstly, a filmmaker. Her talents manifest in arrangements and narration, which build the cinematic soundscape “In Rounds” — the band’s latest LP — occupies. Beyond that, Campdogzz is as emotive an endeavor as any Hollywood drama. The Chicago-based project sits at the intersection of what are perhaps America’s saddest musical designs: Alt Country (a la Phoebe Bridgers and Julien Baker) and Midwest Emo (American Football and The Promise Ring). “Southern” is no exception — a ballad for a less-than-benevolent god or scornful ex-lover, the song has its narrator praying, bracing her lightning rod for the onslaught of “weather waves” the so-called hope man will bring. 

Price’s voice rings prophetically over the lines, “Come on down / You mean right, don’t you,” inviting him closer, knowing he will not be good to her as he is to “the Southern belles.” The low chug of emo guitar, an unmistakeable mark of Midwesternness, winds around the Price’s voice, damning her un-Southern and keeping her from the hope of man’s goodwill. Still, she is dauntless — she cackles over the thundering percussion, proud of her Kansan blood, beckoning to the storm.

Haley Walker on August 15, 2018
Now, Now - MJ

Now, Now - MJ


There's no doubt about it, we still have the new Now, Now record on repeat. The band's vibrant and forthright single “MJ” packs a saccharine punch, delivering a string of breakup confessions over breathy synths and a driving guitar progression. Commencing with a quiet electric hum, the song soon crescendos into an iridescent roar as vocalist KC Dalager exhales digging lyrics of idealizing her lover too quickly, alluding to her childhood idol in a tune chock-full of Michael Jackson references.

The soft droan of Dalager’s voice in the intro is as chaotic as it is comfortable: it is the “aha” moment of hindsight vision, an expulsion of frustration at both parties in the relationship. The song soon lifts into a heavenly bounce, sparking danceability as soon as Dalager finds the words in her confession. Perhaps it is the most personal song Dalager has penned to date, stating admittedly how she “gave away such a pivotal part of [herself].” It just may be the answer to why the instrumentation is so celebratory: “MJ” is not a breakup song — it is a testament to Dalager’s own emotional turmoil and the joy of self-realization.

Nicole Rosenthal on August 15, 2018
Cullen Omori - Happiness Reigns

Cullen Omori - Happiness Reigns


Cullen Omori has a knack for writing bright, punchy indie rock songs, dating back to his time in Smith Westerns. New single “Happiness Reigns” — dropped ahead of the release of his sophomore solo LP, The Diet — continues the tradition. It opens up with a breadth of sighing guitars, parting the clouds just so you can gaze at the blue summer sky. It’s the kind of indie rock that sounds timeless, as likely to be from 1994 or 2010 as it is 2018. The track is punctuated with an unexpected (but overwhelmingly welcome) guitar solo, breaking the sheen with distortion and riffage. [Photo credit: Josh Spencer]

Michael O'Neill on August 15, 2018
Arctic Lake - Sight of You

Arctic Lake - Sight of You


Arctic Lake, a trio hailing from Britain, has released a new single full of melancholy lyrics buoyed by upbeat instrumentals. “Will you be there in the morning?” the chorus begs, way up in the stratosphere. Emma Foster’s delicate voice tugs you into the depth of what she’s feeling, while the driving rhythm of the guitar, the hum of the bass and the simple consistency of the drums push the song and the story forward. “I can’t take it, the sight of you not there” is the mantra that ushers us away from the song, leaving us all to remember those that make us feel that way, too. The trio's ability to take their emotional burdens and turn them into such an upbeat song is certainly something to be admired. 

Grace Eire on August 14, 2018
Laura Jean Anderson - Love You Most

Laura Jean Anderson - Love You Most


There is nothing more comforting than the retro sound of warm guitars and smooth vocals, and in “Love You Most,” Los Angeles singer Laura Jean Anderson delivers exactly that. With a jazzy feel reminiscent of Amy Winehouse or Haley Reinhart, it’s cool and effortless - the type of tune you’d listen to while on your way to the Rockaways in the middle of July. Or maybe with the sassiness that Anderson offers up through her lackadaisical vocal, it could be the new confidence booster you’ll soon be playing in the morning. 

Kirsten Spruch on August 14, 2018
Bad Bad Hats - Write It On Your Heart

Bad Bad Hats - Write It On Your Heart


"Write It On Your Heart" is the first single released off of Bad Bad Hats latest record, Lightning Round. The indie rock band based in Minneapolis, Minnesota is fueled by the break-ups, relationships, and longing love letters written by the effortlessly powerful front woman, Kerry Alexander. "Spare me your love / I don’t deserve anything / That’s how you made me feel / Traded me for a stranger, baby" the lyrics are sincere and hit straight at what it means to be young, in love and abandoned. The instrumentation is hyperbolically upbeat and welcoming with nods to 90s pop rock. Catch Bad Bad Hats in a city near you this fall!

Sophia Theofanos on August 14, 2018
Prateek Kuhad - 100 Words

Prateek Kuhad - 100 Words


Fans of Passenger or Destroyer, listen up: we’ve got your new favorite artist. His name is Prateek Kuhad and he recently released his new EP,  "cold / mess." Produced by Kuhad as well as Peter Groenwald and Konrad Snyder, an EP highlight is the closer, “100 Words.” The instrumentation is simple, featuring an acoustic guitar and echoed-out piano chords. Kuhad’s voice is light, almost like a quiet whisper, but his soft delivery combined with heart-wrenching lyrics packs a powerful punch. "cold / mess" is out now.

Kirsten Spruch on August 13, 2018
Your Smith - Bad Habit

Your Smith - Bad Habit


“I’ve got a bad habit of livin’ rich on minimum wage” is a lyric to which so many of us can relate. But then, the next line, “but loving you is the worst one” hits even harder. Your Smith’s track, “Bad Habit” saunters through a fog of cigarette smoke and across a floor sticky with spilled beer toward an individual who creates just as much heartbreak as they do joy. The hazy pace of the song brings you into a very specifically woozy headspace. There are few things more dizzying than loving someone who’s wrong for you, and Your Smith is able to capture that dilemma and house it in this track, using dreamy harmonies on slightly sour lyrics. 

Grace Eire on August 13, 2018
Ava Luna - Centerline

Ava Luna - Centerline


For about a decade now, Brooklyn alternative-funk band Ava Luna has remained a consistent presence on the NYC music scene. All the while, the band's repertoire has also constantly been evolving. Now on the verge of their fifth full-length LP (including last spring's Histoire de Melody Nelson, which was a cover of Serge Gainesbourg's album of the same name), it would seem that Ava Luna's affinity for indie funk-rock has veered more in the direction of '80s new wave. The new album's second single "Centerline" consists of quirky synth licks reminiscent of "She Blinded Me with Science" by Thomas Dolby while still maintaining the band's signature bass-driven grooves. Moon 2 is available September 7th via Western Vinyl.

Bobby Lewis on August 13, 2018
DYAN - Absence

DYAN - Absence


On “Absence,” the title track from DYAN’s forthcoming EP, the indie trio creates a spacious world full of Lana Del Rey-esque vocals, eerie synths, and whimsical acoustic guitar. If you listen all the way until the end, you might even get a little taste of a perfectly utilized saxophone. Much like the song title, it does feel like something is emotionally absent as singer Alexis Marsh sings from a distance, but that’s what makes it so mysterious and ghostly. DYAN consists of Marsh, Samuel Jones, and Dan Dorff Jr and their EP Absence is due out soon. 

Kirsten Spruch on August 10, 2018
Drinker - FRAGMENT II

Drinker - FRAGMENT II


A collaboration between LA songwriter Aaron Mendelsohn and NY producer Ariel Loh, Drinker writes what's been referred to as “downtempo psych-pop,” melding Loh’s analog production techniques with Mendelsohn’s dreamlike lyrics. Loh, who had just written a hazy, ambient score for The Eyes Of My Mother, attracted the attention of Mendelsohn in 2016. Both based in NYC at the time, the duo collaborated in Loh’s Astoria studio, building a minimalistic soundscape for Mendelsohn’s densely figurative writing. 

“FRAGMENT II,” a track from the now country-spanning duo’s upcoming record Fragments, is a similarly tranquil track about splitting up with, and letting go of, a lover. A series of vignettes inspired by the narrator’s personal life will comprise “Fragments,” which ultimately seeks to review those events and allow the narrator to take responsibility. It is an introspective record that uses its sparseness to develop the narrator’s self-reflection, delving into the psychology of his failed relationships and personality flaws. What seems initially like a calming electro-pop tune proves to be a perplexing walk through its narrator’s psyche.

Haley Walker on August 10, 2018
Taylor Janzen - Colourblind

Taylor Janzen - Colourblind


Taylor Janzen is as honest as it gets. "Interpersonal" her debut EP out today, depicts a sojourner on a journey of self-exploration that diverges from the way life was approached during her religious childhood. In "Colourblind," Janzen sings of what it's like to live through the darkness of questioning God's intentions and even mental illness surrounded by people who don't seem to get it. Still with heart and unbridled power she sings, "I am bitter but just know this / I will not feel ashamed to exist." This noteworthy declaration reminds us that even if at the moment being alive in equivalent to being stuck, confused or mentally ill, no someone should be robbed of their human dignity. With artists like Julien Baker and Phoebe Bridgers paving the way, Janzen proves that this era of honest-to-God, women singer-songwriters is just getting started. Taylor Janzen's voices shines with quiet might and is not only to be heard but listened to. 

Dara Bankole on August 10, 2018
Adler Hall - Teresa

Adler Hall - Teresa


There must be something in the water in Brooklyn making our music scene better than ever.  Adler Hall, this five-piece from varying musical backgrounds, is no exception to this phenomenon. The band has restructured following their 2016 album Tourist, which plays around the edges of synth and experimentation while centered around the folk-like focus of storytelling. Coming together to write and record their unique take on modern chamber-folk  Adler Hall is back with their newest single "Teresa."

"Teresa," the lead single off their upcoming LP, Beware the Water, keeps much of the band's narrative foundation alive with lyrics like, “Tired of the fortunes you seem never to appear in / you smile at me, your teeth stained gray with the wine that I poured for you / though it’s nice you ask, it won’t change anything I see.” “Teresa” is clearly an important figure as these lyrics help portray a long and complex love story, one that has swung up and down and though the singer has run away from their love, she always seems to comes back. Wedding love ballad it might not be, but nonetheless, it is lyrically a beautiful song. Composer, Henry Hoagland builds upon the typical guitar-led folk song with a more strategic approach, incorporating electronic elements as well as fully utilizing the keyboard which they had only touched upon in their previous release. Beware the Water is expected to release this upcoming October and we're excited to see this continued development from the amalgam that is Adler Hall.

Nick Arcos on August 9, 2018
Helena Deland - Claudion

Helena Deland - Claudion


At the intersection of electronica and harmonic indie pop is Montreal’s Helena Deland, whose records evoke everything from Crystal Castles to Patrick Watson. Effervescent as Deland’s high, airy vocals are, “Claudion” bears markedly dark lyrics — the narrator talks about breaking into her own home to find a roommate or lover lying on the floor, presumably incapacitated. She says to the person, “I can look after you / but, girl, you should look after yourself,” caught between wanting to help and feeling helpless in the face of the person’s substance issues. Deland revealed in an interview that the person in question is actually herself and the narrator a friend who refused to leave Deland helpless after “an intense night out.” It is this intimate specificity in Deland’s storytelling that separates her from the lot of bubblegum dream-pop artists of late — her work pairs the same intricate textures and infectious beats with haunting personal narratives.

Haley Walker on August 9, 2018
Swearin' - Grow Into A Ghost

Swearin' - Grow Into A Ghost


Drawing inspiration from 90s power-pop alt-rockers like Juliana Hatfield, Swearin’ have perfected the art of warm, light-hearted indie. Singer Allison Crutchfield sings with a looseness that’ll have you rewinding to hear whether she’s repeating the words “I watch you” or “chihuahua,” and you’ll be totally OK with either. DIY guitar lines squeal with glee, and the overall production style maintains the endearing qualities of your friend’s college band, but with the songwriting chops of a pop music factory. “Grow into a Ghost” is a joyous romp that’ll have you longing for the days of summer gone by as it winds to a close.

Michael O'Neill on August 9, 2018

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