Hinds - Spanish Bombs
With love from Madrid, garage-pop band Hinds releases a wildly emotive and reverberant cover of The Clash’s “Spanish Bombs." With their gorgeous Spanish accents and a more deeply rock-forward sound, the dream ladies of Hinds give the track a bit of refurbished energy. Bringing additional chaos into what is already a chaotic concept—the bombing campaign of several holiday resorts in southern Spain—the girls of Hinds holler and yelp into static-riddled darkness. This rendition of “Spanish Bombs” is the musical equivalent to the tenderness and fire of being a young, devil-may-care creature of living.— Laney Esper on August 11, 2020
Girlhood - Sister
Beautiful, extremely well-blended vocals fill your headphones almost immediately after hitting 'play' on the latest single from British duo Girlhood. Before you are able to comprehend just how well Tessa Cavanna's voice fits together against an enthusiastic piano-driven intro she flutters in with, "You know you give me life / My sister of mine," as the track begins to shift into a romp with a club-friendly dance groove—propelling "Sister" into a completely different atmosphere.
"Sister" is Pinchbeck and Cavanna's ode to bonds that will always remain. A classic 90s inspired beat acts as a backbone for the piano and Spanish guitar propelling it forward. Every element of the track supports the contagious tale of pure love, as evidenced by lyrics detailing maintaining an eternal bond despite the idea of separation. This was perhaps inspired by the current climate dominated by a seemingly endless sense of being apart. "Sister" is a love note to remembering the strongest elements of a forever friendship—elevated by unwavering support and fueled by a swirling use of saxophones.
Girlhood will release their debut album this Fall via Team Talk Records.— Taylor Hodgkins on August 10, 2020
Gabe Goodman - Immortals
Gabe Goodman’s new single “Immortals” is a fresh take on an age-old feeling. For centuries, music, literature, poetry and film have depicted the pain of admiring someone on a pedestal. Perhaps this track is so titled because the subject matter will be relevant for eternity. When Goodman ponders, “Is your kindness a service to me?” he dredges up something classic and relatable: raw self-doubt born from deep-seated insecurity. He covets something he feels is out of his reach, thus allowing himself to envision an outrageously fantastical outcome were it to come true. It likely won’t, so he’s safe in imagining that a mere touch would render him invincible: “Would I also feel immortal if you touched me?” We’ve all been there at one time or another. Gabe, you get us.
Tastefully and imaginatively produced by Goodman and Will G. Radin, the track is enhanced by a whimsically animated lyric video that is worth at least a few replays.— Karyna Micaela on August 10, 2020
Merce Lemon - Those Eyes
In the words of Merce Lemon, this bluesy piano-infused tune is the product of “dreaming up a love.” In listening, there is a sort of transportation that occurs—into a room where there is an invitation to a swaying, dignified ballroom dance with “Those Eyes” ricocheting in and out of the ears of two lovers. There is a gorgeousness within the sentiment of a pair of eyes that have the ability to “pull[ed] me right up in the nick of time." When asked how the song materialized Merce shared, “I wrote this song in my parent’s living room, nestled between stacks of records and miscellaneous piles. I was whispering and singing softly so no one could hear me. Dad heard me anyways. I was dreaming up a love."
Merce Lemon is a Pittsburgh local, who not only brings brilliant melodies to life but fights for justice in her city, as well as the world in her every day. Her album Moonth (set to release on August 14) will include even more of the shimmering feeling that this track brings, as well as her charming and idiosyncratic honesty.— Laney Esper on August 10, 2020
Love Mansuy - I'll Be There
Montreal-born Love Mansuy looks inward on “I’ll Be There,” an earnest commitment to endlessly support his young son Carter. Mansuy, who did not have a relationship with his own father until recently, chose to feature Carter’s voice on the track. Whether it’s when “there’s ketchup in ya hair” or “ya in a padded cell,” Mansuy promises simply, “I’ll be there.” Vulnerability poses a challenge among men and especially in BIPOC communities. Mansuy depicts it beautifully both in the song and its accompanying video, which he intended to “reflect on not only the need for Black men to show up for their sons, but the need for Black men to be there for Black women.” In the video, protest footage airs as a mother braids her daughter’s hair, and reminds us that the emotional toll of this constant exposure is often forgotten amidst charged protesting and calls for legal reform. As we’re all looking for ways to continue showing up for the Black community, I invite you to consider donating to Black Emotional and Mental Health Collective, which advocates for increased accessibility to emotional and mental healing for the Black community through methods ranging from therapy to the arts.— Ysabella Monton on August 7, 2020
NAKAYA - Fire Becomes Me
Low strings set a somber mood before NAKAYA’s enchanting voice comes through on her new demo “Fire Becomes Me.” Steady as can be, the Brooklyn-based artist guides us through a story of calm turmoil, which eventually boils over as she sings, “Well is it true / what can I do / I'm finding / fire becomes me now.” The tranquil sound of this track juxtaposed with the fiery imagery couldn’t be more apt during a time in which isolation has become the norm though the fires of societal tumult and change rage on. All of the proceeds from this demo's digital downloads on NAKAYA’s Bandcamp are being donated directly to Color of Change.— Ben Burke on August 7, 2020
Spencer. - Maybe
Heavy, subtly unsettling beats offset a buttery voice and introspective lyricism on Spencer.’s latest "Maybe." The 21-year-old New York native who bet the house and his college education on a music career certainly came out on top and it's easy to see how in just two short years, he amassed quite a substantial following and millions of streams on his art.
Spencer. opens with “Maybe life’s a joke / I feel like my soul is stuck” immediately and somberly introducing a raw and relatable emotion that is a theme throughout the song—overwhelming skepticism about life and the future. At such a young age, Spencer.'s grasp of the complexities of the emotions attached to the future is definite and his interpretation of them is creative. He playfully transitions from singing to speaking in epithets like, “I’m on my way up / cumulonimbus it got me stuck / in a few weeks I’ll be 21 / 2020 my vision till 20 sumn / I been working like I’m scared of growing up."Spencer. is currently working on his first full-length album—we definitely can't wait to hear more. Photo by Nathanael Turner— Jazzmyne Pearson on August 7, 2020
Ayoni - Unmoved (A Black Woman Truth)
Revolution comes in all shapes and sizes. Even though it should inspire others to join, it often scares people on the sidelines. What’s scary is to be revolutionary, to speak your truth to power, to give people the opportunity to turn a blind eye to your own experience, and to tell you that you’re wrong. Ayoni released her truth, “Unmoved (A Black Woman Truth),” offering peace, knowledge, and even a reality check for those who are truly listening. For Black women, it is the reiteration of the struggle they’ve always faced, brought to them in a vessel that allows for them to feel at peace. For Non-Black people, it provides a lesson in the Black experience and how the fight for Black lives is not new, as Ayoni sings, “It’s always been bigger than this.” Lastly, it is a call to action for the people who are listening and a wake-up call for the ones who aren’t.
“Unmoved (A Black Woman Truth)” is the battle cry of the revolution both sonically and lyrically. The song begins softly with the strumming of an acoustic guitar, Ayoni’s vocal then coming into play creating a shift that pulls you in. As the song progresses, the layering and tone of her voice symbolize the frustration and anger that ebbs and flows when trying to reason with ignorance. Ayoni sings, “Are you sitting comfortably while we bleed in vain? / I’ve died by other names,” calling attention to the countless Black women who have died unnecessarily. She continues, “Please make me feel you care my ally / But are you prepared to lose your sleep / To bare your teeth / To break like me?” She is calling on us to not only reflect but to educate ourselves and put in the work. Ayoni spoke her truth to power. Now it is up to us to listen.— Sloan Pecchia on August 6, 2020
Moon Panda - Slow Drive
Denmark-based duo Moon Panda have clearly done their homework, and the result of their focused vision is “Slow Drive,” a track as peaceful and centering as its namesake. The bright, scattered tones in the song’s first moments are soon enveloped in a chillwave: we see a washed-out scene of a beach house (or other seaside real estate) at sunset. Californian-born Maddy Myers paints the warming ocean as only a Californian can, digging into the sand with her deep and subtle soprano. Meanwhile, her lyrics could not fit the blurry guitar-driven ambiance any better—in fact, they could even double as a poetic review of the track itself: “I close both my eyes now, try to feel the breeze. The calm washes over me. I heal on my own.” My thoughts exactly.
Moon Panda’s new Make Well EP was released on Bandcamp and other streaming platforms on July 13.— Karl Snyder on August 6, 2020
Twain - Love, Go Lightly
“Love, Go Lightly" the opening track off of Twain’s most recent album, Days of Effort and Ease, serves as the perfect entrance to a unique and contemplative concept album. On this track, Mat Davidson aka Twain creates a beautifully open soundscape full of melodious acoustic guitar, hushed vocals, and the harmonious chirping of nearby birds. The lyrics are refreshingly optimistic, encouraging us to notice and embrace the world around us rather than the one that is strictly in our heads. While the sonic relief "Love, Go Lightly" provides may be temporary, we are compelled to revel in evanescence.— Lilly Rothman on August 6, 2020
snny - Postmodern Black
snny’s “Postmodern Black," the latest single from the dizzyingly dynamic new artist, is incredibly crafted. It’s a work of art. The production is slick and tight, still managing to attain some dreamy space thanks to snny’s gorgeous vocals—juxtaposed with a grimy, overdriven synth hit irregular heartbeat. Not only is it masterfully made, but it's also gloriously fun to listen to. It’s a modern electronic bop given a stylish, timeless shot to the heart with some Nile Rodgers-esque guitar (think “Get Lucky” or “Le Freak”). snny expresses himself with an easy confidence, with lyrics like “I walk the streets, I run my world, I climb so high because it calms me down”—with every introspective line, he's further establishing himself as a solid voice to watch. “Postmodern Black” may be the perfect soundtrack to these warmer months, but lucky for us, it’s so much more than just another summer jam, which feels appropriate. After all, isn’t this so much more than just another summer?— Stephanie Lamond on August 5, 2020