Buzzing Daily

Find Buzzing Daily on Spotify

French for Rabbits - Highest Hill
French for Rabbits - Highest Hill

French for Rabbits - Highest Hill


French for Rabbits' new single, "Highest Hill" feels, in its essence, like a break-up song. The minimalistic ballad from the New Zealand indie pop group is dreamy catharsis for the recently scorned. Lamenting the loss of a close relationship, front woman Brooke Singer sings in a mournful whisper, "You took me higher than the highest hill, then you took me lower than I've ever felt." Honest and cutting, this track is great for a sad walk around the neighborhood, or a soft, discreet cry on the bus. The group has been active since 2012, but a slew of career-leveraging moments, like an opening slot for fellow New Zealander Lorde and an upcoming performance at SXSW, point towards a bright future for this dynamic duo.

Jacqueline Zeisloft on December 12, 2018
French Horn Rebellion & Glassio - Love Me Back

French Horn Rebellion & Glassio - Love Me Back


Brooklyn siblings French Horn Rebellion have teamed up with fellow Brooklyn artist Glassio for their newest silky, smooth single “Love Me Back.” The track beautifully fuses together groovy, ‘80s synth-pop with emotive piano keys and funky basslines for an exuberant finish. The combination of their lush vocals and rich beats adds a layer of warmth that comforts the soul. Throughout, the Brooklyn artists explore what it means to put yourself out there for all to see and repeatedly ask the question “Are you gonna love me back?” The idea came when Sam Rad of Glassio began gibberish-singing vocal lines and Robert of FHR noticed that it sounded like Spanish. When they played back his isolated vocal track and deciphered what he was unconsciously saying, they worked out a translation and kept it to become a part of the song. The happenstance makes for a charming and engaging dynamic.

Shayna Chabrow on December 11, 2018
Sasami - Callous

Sasami - Callous


You may recognize Sasami Ashworth from Cherry Glazerr, Dirt Dress, or her contributions to Vagabon, Wild Nothing, and Hand Habits. On top of all that Pitchfork named her first solo release “Callous” best new track. SASAMI has been making all kinds music around LA for years, from scoring films and commercials to playing in grunge-punk bands. “Callous” is an intimate view into this musical powerhouses’s unhealthy relationship. She sings, “when I look back I can see myself slipping down” and “heaven knows I tried,” telling us she was losing herself in a relationship that was less than perfect. Her talent is clearly visible on this dreamy distorted track. Spacey synth builds through the whole song with steady drums bringing it back down to earth. SASAMI'S melancholy humming creates a melody beneath the sluggish guitar strumming quick and steady chords. Whether you’re an indie rocker or not, you will love this new track from SASAMI.

Kyra Bruce on December 11, 2018
Taylor Janzen - New Mercies

Taylor Janzen - New Mercies


The passionate question on the chorus of "New Mercies" asks both the singer herself and the listeners “Is it too late for me to believe in the morning’s new mercies?” 19-year-old Taylor Janzen’s latest single gives a voice to her skepticism about the things of heaven and earth. "New Mercies" is the Winnipeg singer-songwriter’s first single recorded in a studio with a full band, which captures all the frustrated energy that brought the song to life. The song was written in a moment of disequilibrium between the feelings of Taylor's energetic soul and the faith she was raised to believe in, a discordance she has always felt but was unable to explain until now. Asking about the mercies conceived in the morning to those who believe in the Biblical God, she questions if it is too late to believe and be saved but she answers herself and her cynicism along the song. Taylor is set to perform in several festivals including SXSW and release her new EP in 2019.

Giulia Santana on December 11, 2018
Micra - Child Grows Old

Micra - Child Grows Old


Sydney atmospheric-pop duo Micra recently released their second single "Child Grows Old." The duo is made up of Ivana Kay, a Bulgarian vocalist and guitarist and Robbie Cain, an Australian multi-instrumentalist. After being seated together at an Unknown Mortal Orchestra concert last year the two, kept in touch and decided to make music together. The end result is  a sound that is reminiscent of Beach House and Ariel Pink. When it comes to "Child Grows Old" “The song explores a time in life which felt like nothing had changed for too long. Waiting around for something to happen without knowing where to begin. It's an internal conversation about forcing yourself to jump into the next phase of life and facing the obstacles that come out of that,” Cain says. "Child Grows Old" is trippy in nature, but familiar in content and dedicated to finding life in those times that feel more like dead space.

Dara Bankole on December 10, 2018
Talk Time - True North

Talk Time - True North


Talk Time is an East Los Angeles alternative rock band. Bands that define themselves as alt-rock are a dime a dozen in LA, but this band knows how to distinguish themselves as their own force. Their music has a familiar pop atmosphere, but with the hooks and instrumental proficiency so as to not be lumped in with popular recording artists of their time. Their single “True North” follows that standard they’ve set, turning a familiar sound upside down. Produced by Math Bishop of U2 fame, you can hear echoes of many popular artists of the past decade. When listening, popular Alt bands in the realm of U2 and Radiohead and Foster the People spring to mind, but past the bands sound it doesn’t go further than that. They’ve set their own style and precedent for themselves, and are careful to maintain their established level of songwriting on all their releases.

Lucas Nyhus on December 7, 2018
Murray A. Lightburn - Bellevue Blues

Murray A. Lightburn - Bellevue Blues


Outside of Montreal, Murray A. Lightburn is predominantly known for fronting chamber-pop band The Dears and for sounding a whole lot like Morrissey. Ghosts of past success and musical icons could haunt a less versatile musician into irrelevance, but in “Bellevue Blues” Lightburn bares his soul and his soulful influences to dispel any doubts in his ability to continue creating. Of his upcoming release, due out in February, he told his label that it is an album with “no guitar solos at all, and very few instrumental passages. It’s just singing on top of songs.” "Bellevue Blues" is a simple song pairing the sound of the soul and motown hits so beloved in his childhood with the most complex subtleties of adulthood. Lightburn refuses to allow the simplicity to detract from the emotional weight, though, as he bursts into a chorus that would make even the toughest member of Snow Patrol well up a little bit. “I need you / To save me from myself,” he sings, though he is perfectly capable of holding his own.

Daniel Shanker on December 7, 2018
Johnny Gates - Baseball

Johnny Gates - Baseball


While the title of Johnny Gates's new song may mislead you, this song has less to do about sports and more to do about memories and the people that inhabit them. "It seems like we all have those people in our lives...sometimes you keep them / sometimes you lose them like I lost you." While taking this person to a Yankee game was a memory he'll hold onto, the present exists without them, creating the wistful emotions heard in this song. Having gained popularity from the TV show The Voice, Johnny Gates has come off of the big stage to deliver us music that is raw and emotional. He intentionally uses baseball to tie into his reality and tell us, "I grew up playing baseball, and I remember hearing pretty quickly from my dad, it’s not whether you win or lose, it’s how you play the game. And I think life is a lot like that. So when writing this song, I wanted to reference my favorite sport, and some specific examples from my life, where, even if I didn’t come out with a win, I still have some amazing memories to hang on to." When Gates sings, the soft grit in his voice is a notable feature to the beauty of the song. With just a guitar and a universal feeling, "Baseball" is the kind of swoony, stuck-in-your-feelings kind of  song that doesn't get old.

Dara Bankole on December 6, 2018
Girlpool - Hire

Girlpool - Hire


Longtime fans of Girlpool, allow us to reintroduce you to your new favorite indie grunge band. The group’s newest single, “Hire,” is a rock anthem for the millennial age, and a far cry from the softer songs of past records that gave the group its signature sound, like “123” and “Cut Your Bangs.” This sonic maturation comes in the wake of vocalist and guitarist Cleo Tucker’s public transition. Now, Tucker’s vocals are nearly unrecognizable as they sing an octave lower, adding strength and grit to a group that, until now, has veered toward distinctively smooth vocal melodies. Listen closely to “Hire” and you’ll still hear instrumental lines that feel familiar. For example, the song opens with the same muted, messy guitar picking that frequents so much of Girlpool’s discography, and it nicely introduces the drums with a catchy mid-tempo beat. “Hire” not only acts as a representative for organic growth in songwriting, but it proves Girlpool are masters of transcending genre.

Britnee Meiser on December 6, 2018
Misty Mtn - We'll Call It Even

Misty Mtn - We'll Call It Even


Brooklyn based indie pop duo Misty Mtn lives up to their name with their newest track, delivering a single that is as forlorn and emotionally charged as the name implies. The song brings about the atmosphere of a rainy day, with the mixing of the song being intentionally stripped down and simple. The simplicity of the song contributes to its feeling of loneliness and isolation, bringing the listener into the world of emotions presented in the song. The duo uses the limited range of sound a duo is capable of, presenting lovely and dreamy synth sounds that go far beyond what a four or five piece band could do with the same material.

Lucas Nyhus on December 6, 2018
Cautious Clay - Reasons

Cautious Clay - Reasons


Explosive and dramatic, Cautious Clay’s newly released single, “Reasons” breaks out of the box musically and lyrically showing further versatility from the multi-talented artist and producer. Hudson Mohawke lends a hand in the writing along with Tobias Jesso Jr.; Mohawke’s boisterous trademark drops making an appearance and add dimension to the track. Strategically placed choirs of echoing backing vocals and abrupt cut-offs juxtaposed against more calming guitar-driven choruses make this song all the more exciting to listen to. “Did it all for the no good reasons” Clay belts, exploring an undeniably human need to do something — even if it makes life more dramatic, interesting or even complicated — for no good reason.  Though short, there's an innate reliability to the song and the drama it invokes, not unlike the drama Clay sings of.

Jazzmyne Pearson on December 5, 2018

Subscribe