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Alex Siegel - Wasted Time
Alex Siegel - Wasted Time

Alex Siegel - Wasted Time


Alex Siegel maintains a gentle lo-fi groove in "Wasted Time." The LA-based bedroom pop artist sings softly over meticulously crafted layers of synths. For a song about not wanting to waste time, it creeps along with immense patience—swelling only briefly near the end as he repeats "I don’t want to waste any more time." The steady bassline and hi-hat throughout keep the track grounded as everything else floats in and around. Siegel’s jazz influence creeps its way in adding complexity to the simple melody and lyrics. It’s the perfect song for a rainy day in bed or the quiet hours of the night when it feels like you’re the only person in the world—easy to listen to, but not so simple that it becomes background noise. "Wasted Love" is the most recent single off Siegel’s newest EP Up All Night, which came out on October 4.

Corey Bates on November 5, 2019
Margaux - Cave In

Margaux - Cave In


Autumn—the romantic season of fiery, golden leaves, nipping winds and hot, steaming mugs of coffee—never lasts long enough. “December came too fast,” sings Margaux Bouchegnies over the delicately lo-fi intro to her new single, “Cave In.” The Seattle bred, Brooklyn-based 20-year-old singer-songwriter counts Joni Mitchell among her main influences. Even in its nascent stage, Margaux’s songwriting internalizes Mitchell’s touch for bluesy naturalism. About a minute in, “Cave In” dynamically shifts to crunchier instrumentation. From there, subtle scene changes abound; like stomping on an overdrive pedal, “Cave In” quickly jumps between jarring fuzziness and melodic resolution. Snail Mail and Car Seat Headrest come to mind: both artists write incredibly mature and lush arrangements that, primarily, originate from the guitar. Like them, Margaux’s patient storytelling intertwines with softly-confident vocal execution. Yet, it’s her penchant for airy, symphonic production (see: “Palm,” her other recent single) that sets Margaux apart. Combined with—and perhaps even thanks to—her deft guitar playing, her ambitious songwriting already feels fully actualized.

Devon Sheridan on November 1, 2019
The Bright Light Social Hour - Sun King

The Bright Light Social Hour - Sun King


Following their 2016 cover of The Beach Boys’ “All I Wanna Do,” it’s clear that The Bright Light Social Hour is unafraid to tackle the untouchable icons of the ‘60s with their modern take on that era’s own psychedelia. The Beatles, to say nothing of Brian Wilson’s genius, are a cultural touchstone comparable to little else in the last century, and their songs often stand-in for the very definition of pop songs themselves. While we see new geniuses tear down those very definitions, The Beatles’ catalogue remains almost sacred to many. In “Sun King,” The Bright Light Social Hour celebrates Abbey Road’s 50th anniversary with a cover of a side-two classic, using it as a vessel for their signature groove. It could have been any Beatles song, or even any other song if not for the instantly recognizable nature of The Fab Four track. They choose not to honor the original note-for-note, nor do they claim that their song is the way it should have been. The track is right there in the source material, and their chops are evident in the performance.

Daniel Shanker on November 1, 2019
Kate Bollinger - No Other Like You

Kate Bollinger - No Other Like You


“No Other Like You,” the newest single from Virginia-based artist Kate Bollinger, has a sweet melody and a sultry beat. The hazy, lo-fi jam is the definition of late-night vibes, with spacey synths, a chill, uplifting guitar and one of the grooviest basslines of the year swinging to a slow, almost psychedelic rhythm. The instrumentation is soft, warm and nostalgic; it’s the perfect backdrop for a low-key night in or a road trip under the stars. But Bollinger’s voice, evoking the same laid-back, transfixing charm as Nora Jones, is the star of the arrangement. Breezy and dynamic, her voice makes you feel like you’re floating through a lovely dream. The lyrics are about accepting impermanence, and Bollinger’s wistful croon emphasizes that. “Baby can't you see there's no other like you / When you leave I'll expect the things you'd always do.” Cozy and cool, “No Other Like You” is about to become your new favorite sad love song.

Britnee Meiser on October 31, 2019
Frank Ocean - DHL

Frank Ocean - DHL


Hypnotizing listeners back into his universe yet again, Frank Ocean returns with highly hyped new single “DHL” from the artist’s first studio album release since 2016. The track dropped unannounced at the end of Ocean’s most recent blonded RADIO session, giving a taste of what is rumored to be a thirteen-track LP. Ocean teams up with electro-house producer Boys Noize on “DHL” and delivers swirling sounds and carefully casual lyrics. The song begins with his signature, stylized ambient noise—reminiscent of a more somber, slow version to the introduction of “Nikes.” He raps about a lover, things he’s bought, and attending fashion week in camping gear, “Look like I’m dressed for a hike / But I really look like I’m in Paris.” A mundane tone, almost droning, takes over the beats of the song and paints a portrait of Ocean in his day to day life—as normal as it can be. Following the announcement of “DHL” came the news of two other singles, “Cayendo” and “Dear April." Both were premiered at Ocean's new club PrEP+, where the artist played some remixed snippets. Both old and new Frank fans alike can look forward to new content being released in this era of activity.

Julie Gentile on October 31, 2019
Little Dragon - Tongue Kissing

Little Dragon - Tongue Kissing


Explorative and bright, “Tongue Kissing,” the new single from Swedish indie-electro band Little Dragon, is a genre-busting bop that encourages listeners to live boldly and dance like nobody’s watching. As sensory as a 70s disco party, the arrangement is dynamic and delightfully unexpected. Instruments from all genres merge together seamlessly: a bellowing, retro bass, electronic keys, and a cool, bendy guitar line make for a laid-back groove with a nostalgic edge. Muffled but sharp percussion keeps a steady, pulsing beat that nearly forces you to get up and move, and keeps your attention throughout the entire unconventional arrangement. Most notable of all is frontwoman Yukimi Nagano’s distinct, otherworldly vocal. She sings the chorus over twinkling synths, a repeated “Tongue kissing / Tongue kissing now,” and suddenly you’re hypnotized. You won’t be able to get the words out of your head for hours, but the song is so good, it’s worth it.

Britnee Meiser on October 30, 2019
Lucy Dacus - In the Air Tonight

Lucy Dacus - In the Air Tonight


One of our resident spooky queens strikes again with a Phil Collins cover that kills. Lucy Dacus recently put out a gorgeous cover of "In the Air Tonight” and it's equally as nostalgic as it is original. Dacus' take on the legendary pop hit is sultry (her vocals taking the reins) and still heavily '80s influenced. This single release is part of a series of releases Dacus has put out in the last few months in preparation for an EP dropping November 8.

Hannah Lupas on October 30, 2019
Mount Eerie - Love Without Possession feat. Julie Doiron

Mount Eerie - Love Without Possession feat. Julie Doiron


Mount Eerie and Julie Doiron have reunited to deliver their second record together entitled Lost Wisdom Pt. 2, which arrives next Friday. The project is the follow-up to their 2008 release Lost Wisdom. The duo reintroduces themselves with the first single “Love Without Possession," offering up a broadened standpoint about what it means to love. Phil Elverum and Doiron gently explore what can lie beneath pain and loss with poignant words that ride along soft acoustic strumming. While there may be moments that consist of a small amount of helplessness, there is also hope and the sense that a new beginning might not be something that’s completely unattainable. Their calm, clear voices float along as they reflect on what a good next move might be, “Watch me while I churn / Still holding this love for you / Without a thing to do / But try to live / In this uninvited liberation / Without a home in your life or heart.” The question of where you go when you feel lost is a persistent one, but also not one that anyone truly faces alone. Lost Project Pt. 2 is officially out on November 8 via P.W. Elverum & Sun.

Meredith Vance on October 30, 2019
Porches - rangerover

Porches - rangerover


In Porches’ newest track, “rangerover,” Aaron Maine creates a portrait of astonishing clarity from pieces of blurry photographs. Each verse begins confused, and even syntactically out of order, (“Julie, rangerover, she’s riding it…") but then manages, with a slow jog, to catch up with itself by the ending image of solitary stillness (“When you close your eyes, all you see is her face”). As the chord progression gradually ascends throughout the song, every aspect of the instrumentation feels equally likely to energetically burst or slowly collapse, from the terse echo of the 80’s snare to the lethargic tension in the synth parts. Meanwhile, the insatiable tone of Maine’s vocals is beautifully complemented and grounded by the hazy backing croon of Blood Orange’s Dev Hynes. At just over two minutes long, “rangerover” is a quick trip that leaves a lot unresolved. Even though you are airlifted from the dream as abruptly as you were dropped into it, the chorus leaves one thing clear: sometimes it’s the people who drive you, figuratively and literally, who provide the best reminders of why you “wanna live, wanna live, wanna live.”

Karl Snyder on October 29, 2019
Samia - Never Said

Samia - Never Said


“Never Said” is the dreamy new track from indie artist and New York native Samia. The song is a slowed down, mellowed out cover of Liz Phair’s original, which came out 25 years ago on her debut album Exile In Guyville. Samia’s rendition is gorgeous, breezy and completely unique, swapping the classic rock guitars for slow, sultry strums and adding uplifting keys and spacey, atmospheric synths. The lush arrangement evokes the comfort of early 2000s-style sunshine rock, adding an element of nostalgia to the otherwise bright and gentle instrumentation. Samia’s voice, reminiscent of Sarah Mclachlan mixed with Phoebe Bridgers, is as clear and inviting as a lullaby. She repeats the memorable line “I never said nothing” like she’s casting a spell, and you’ll fall prey whether you like it or not. Gentle and gripping, “Never Said” is a thoughtful cover that Samia has made all her own.

Britnee Meiser on October 29, 2019
​dielines - Chasing Rabbits

​dielines - Chasing Rabbits


dielines, the California-based indie-folk duo consisting of Daniel Berkman and Trevor O’Neill, prepare us for their upcoming album with their newest track "Chasing Rabbits." Though self-described as curators of "psych folk," this single lends itself to a softer, warmer acoustic sound that most people do not associate with the genre. Reminiscent of early Fleet Foxes, this track has the lyrical implication of an anxiety attack, but harmonically makes you feel like taking a drive on a winding mountain road. True to that analogy, "Chasing Rabbits" is full of twists and turns—Berkman's eccentric vocalization providing the majority of the intrigue and emotional gravitas.

Hannah Lupas on October 29, 2019

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