Bright funk full of love, “Mariposa” instantly settles into a sunny groove. It’s held together by a simple swinging rhythm section, led by an adventurous bassline. Radiant Children's lead singer, Fabienne Holloway saunters through the chorus with a sense of effortless ease. As she pulls us into the verse with some added energy there’s this moment of spice, as the echoes of the words "kimono" and "photo" dance around and create just a touch of chaos. It’s a cool choice and the kind of move that proves Radiant Children isn’t afraid to do something different. And while the vibe stays true through the second chorus, that creative courage is on full display directly after. Stacked vocals settled into a chant, begging us to give ourselves the care we need, demanding everyone to “Keep that heart open, don’t forget what you deserve." It’s a powerful moment, the vocals presented in a way that feels holy yet human—simultaneously your wise guardian angel and the voice inside your head. Some bouncy chords deliver us back to the chorus, this time giving the bass even more space to shine. The outro reinforces that positive, believe-in-yourself message, and rides this sunlit track to its mellow conclusion. This is the London group’s second single of 2020, maintaining their warm jazzy energy with a kind message.

“Swill,” one of the latest singles from Icelandic born singer and multi-instrumentalist Jónsi, is a bombastic and towering piece that feels both simultaneously familiar and foreign. Opening with a stark A.G. Cook produced mix of drums and horns, “Swill” sounds more like a new track from Cook collaborator Charli XCX than new content from the Sigur Rós frontman. However, once the rest of the instrumental settles in and Jónsi's wispy falsetto begins to deliver, familiar themes from the singer’s work begin to show. Lyrically, Jónsi is coming to terms with mistakes made in the past, “You say I did something wrong yesterday / You're right, of course, I'm making a fool of myself (In every way).” Though the almost bubblegum pop instrumental teeters on the edge of feeling out of place, there is still a billowing, orchestral vein running through it that tethers it to the singer. If the track does anything, it’s a sign that Jónsi is not only back, but he is again pushing the sonic boundaries in the most familiar way.

Wingtip is the blissful project of Nick Perloff-Giles. His music is irresistibly hook-filled, but those hoping to dance themselves free of all anxiety and introspection won’t find that here—“Demons” has tender vulnerability at its core. The song explores feelings of uncertainty and insecurity, offering strength and comfort in the form of an addictive beat drop. The chorus is a plea to reveal the worst. Perloff-Giles sings, “Show me your demons, and I’ll show you mine.” It’s an earnest request over delightful pop production. “Demons” is a reminder that sharing our challenges is exactly what makes them bearable: “It’s hard to know where to begin, but it’s easier with someone." There’s hope in going through our most difficult moments with others—and definitely in dancing through them with this song.

rum.gold’s new song “Fix Me” is a gorgeous, ethereal depiction of what it feels like to process relationships in isolation. He calls the song an “acoustic sketch”—by leaving airy spaces in between chords for the music to breathe, he allows the powerful lyrics to seep into the listener’s mind. While the aching sorrow in his voice is prevalent as he repeats, “I’m sorry” throughout the song’s first section, the emotional peak of the track comes as he sings, “You can’t be my northern star / When you’re the reason home seems so far.” His vocals are a warm, sharp falsetto—crying out for somebody to not only hear him but understand him. All in all, rum.gold’s “Fix Me” is a sonic search for the missing puzzle piece that it would take to make his relationship work. Despite his soul searching, by the end of the song, he still can’t find it. He comes to the silent realization that he must find inner peace on his own, as a faint siren drives away in the distance. Listen wherever you stream.

The broken aspects of our society just keep on getting clearer at this stage of 2020. Xelli Island’s new single, aptly titled “Sometimes," does an uncanny job of capturing the existential desperation that’s running rampant in all of us in varying capacities. The artist writes that when one navigates this world through the lens of mental illness, “all of its toxicity and phoniness becomes crystal clear." With opening lyrics calmly vacillating between “sometimes I feel alright, I leave my house, people are nice," and “some days I’m swallowed up in an emptiness and numbing thoughts, and even truth feels like a lie; yeah some days I’d rather die," “Sometimes” goes on to paint a familiar mental picture. Xelli is kind enough to hold up this internal mirror with the backdrop of some truly summer-ific production. A rollicking, walking beat and thrumming, warm bassline keep the energy snapping along, and the lead vocals are clean and crisp with just enough spacey delay to remind you of the vertigo caused by spinning in your own head. The real twist is that this song was written years ago. It’s truly comforting to remember that these feelings, though quite stark at the moment, are nothing new—with musical dispatches like "Sometimes," we can weather them together.

I firmly believe that there is a special place in the world for upbeat breakup songs, and that place is a car radio. "Losing My Grip" by Junior Mesa is a high energy reclamation of control by acknowledging that you’re not fine, actually. The song riffs and rolls through two and a half minutes that validate your need to briefly disappear with just a car, sunshine, and your thoughts. “An escapist road trip is a totally reasonable reaction to heartbreak,” the track speaks, with equal parts serious lyrics and lighthearted production touches. Each verse is supported by steadfastly syncopated rhythm guitar, paralleling the feeling of hanging on by a thread—but still hanging in there. A whimsical flute line dances between stanzas, which conjures the aesthetic of Noah and The Whale and The Boy Least Likely To. Mesa’s voice playfully stretches syllables, crafting a vocal line that, somehow, feels a lot like a rainbow slinky. Overall, the track sparkles with wit, humor, and technical finesse. Dripping in optimism yet leaning into vulnerability and heartache, it’s a song that is sure to fit whatever headspace you’re in.

“For So Long (Brittle)” by London based singer-songwriter Willum Maindo is an exquisite composition. Maindo’s unflinching and transparent lyrics combined with his gorgeous finger-picking guitar lays the groundwork for a heartfelt confessional that is beautifully refreshing in more ways than one. Written in the second person, this innovative serenade provides a near-perfect ending to a tried relationship— managing to leave one feeling optimistic despite future uncertainties. With a style similar to that of Rex Orange County and Beabadoobee, anyone with an appreciation for a cozy tune with impeccable lyricism is sure to love this new track by Willum Maindo.