Treefort Music Fest is making its long-awaited return to Boise from September 22-26. All month long, we'll be featuring our favorite tracks by artists from the 400+ lineup, which includes Wild Honey Pie favorites like Japanese Breakfast, Tennis and The Marías.

The festival, originally scheduled for March 2020, was postponed due to COVID-19. To ensure the safety of attendees, Treefort will be requiring proof of vaccination or a negative COVID-19 test result, as well as encouraging festivalgoers to have masks on hand, as various forts will be mask-only. According to Festival Director Eric Gilbert, “This unique September version of Treefort is shaping up to be one of our best yet and we are looking forward to bringing the Treefort family back together to share and discover great music.” Tickets and more information are available here.

Chasing the tail of "Pigs Is Pigs," "Darling" opens with a starkly contrasting 5 seconds of meditative, wave-like static. Quiet, but steadfast octave jumps emerge next, in the form of a guitar flooded in reverb until time becomes almost meaningless. Heartbeat-like drums remind you where the beat falls, like the sound of your own breath in a dark room. It’s almost tempting to describe the track as unlike anything Mannequin Pussy has ever done, ending their Perfect EP in surprisingly delicate and tender territory. Its warmth is more like still-burning embers rather than the fire and brimstone that dominates the rest of Mannequin Pussy’s discography; however, it has the same lyricism full of brash vulnerability that cuts through everything in its path. The hot-blooded reconciliation of pain and the beauty of feeling intensely is reminiscent of "Drunk II," as the track dynamically moves through both states simultaneously. Each time the hook hits, it sounds even more like a challenge than a promise. “Darling, I will always defend you” becomes a double-edged dare, daring your darling to reciprocate your defense and daring the rest of the world to provide an opportunity to show your devotion. "Darling" is a beautiful example of what makes Mannequin Pussy’s work so deliciously compelling. It’s embracing your feelings with brutal honesty and rebelliously refusing to be ashamed of their intensity. It’s facing forward against whatever’s next, grasping your love’s hand tightly all the way, and proclaiming “I feel fiercely, and I am not afraid." Photo by Uv Lucas.

Portland-based band M A N E's first single “|| Catamaran ||" is a dazzling, easy-listen. Its bedroom pop and soft sound is soothing to the ears, making you instantly feel at ease—mentally transporting you to the sea where you sail calming waters on a catamaran. The lyrics create a lovely juxtaposition, where expression of anxiety and inner battle exists. At a time when many are experiencing pain and unease, this track is there to make us feel a little less alone with our feelings. “When there’s a war in your chest, anxious and vexed, it’s all such a mess.” M A N E, who perfectly embodies HOMESHAKE and King Krule, successfully builds a sound of honesty when the world needs it most.

HAWA’s dreamy track “IPHONE” opens with a nuanced piano line and simple guitar accompaniment—it sounds soothing, smooth, and calm. But when you pay attention to the lyrics, they tell another story.  “I just wanna love someone / I don’t wanna fight no more / You say you sick of all the lies / I don’t know why I keep lying,” she sings earnestly. At its most emotional points, “IPHONE” is a song about the push and pull of relationships, and both craving and fearing intimacy. The person she longs to be intimate with, however, does not seem to fully reciprocate her feelings. 

“I just wanna know if you’ll be all mine / I can take it slow, I don’t really mind” HAWA pleads to her lover, which sends the message that she would do anything for their approval. As she receives a phone call at the end of the song, it’s not hard to imagine that it is her lover on the other line, ready to fight. “Fuck,” HAWA mutters as her phone starts to ring. Instead of the actual phone call, we hear these lines repeated like a chant: “Leave me alone / Leave me alone, babe / Leave me alone” and “Is it alright? Is it alright? / You know I want peace and safety in my home.” It seems that no matter what she says or does, the person she’s in love with will never be satisfied. Listen to “IPHONE” wherever you stream.

When your admiration for someone is strong enough, there are moments when you can’t help but step back in awe that you actually know them. Nashville’s Carmen Canedo explores that feeling with an acoustic guitar and a folksy chorus of angels on “How Can I Know You.” Like the musical setup, the lyrical scenes are powerful in their tender simplicity. With the right company, everyday activities like watching the clouds or sipping hot tea become vessels of tender significance. Your perception of temperature can even shift; suddenly, sitting on the icy ground is a small price to pay to be with this special person. In fact, as Canedo says in the chorus, you may even “welcome the chill.” What strikes me is that this is not exclusively a description of romantic love. Although you could feel this way about a partner, you could also feel it about your mother, or your friend, or your baby nephew. It’s a special strand of love found only in genuine camaraderie, and the feeling of incredulity that comes with it is totally understandable. We are taught from a young age that magic isn’t supposed to exist.

"Calling all fans of Ben Folds and Nick Cave! Finn Andrews' “Wide Winged Bird” will satisfy all of your soulful, folky, British dreams. The production on this one is just so, so lush; harmonies that somehow sound soft and sparse at the same time, strings that you can feel the bow dragging ever-so-lightly over, bass that thumps faintly, keeping the subtle swing of the song...I wish I’d been in the room when this was recorded. Each lyric feels like a watercolor; “When you kissed my lips, they were cold like mine.” Expertly balancing an aesthetic equally at home in Sons of Anarchy or in a heart-string tugging movie like About Time, “Wide Winged Bird” will make you FEEL. “At the end of the day, across a moonless sky, comes a wide-winged bird, sent to close my eyes.” Oof! Well done, Finn Andrews. While you're at it, check out the whole new EP and his previous album, One Piece at a Time—standout songs include "Love, What Can I Do?", "One by the Venom", and "Al Pacino / Rise and Fall."

On “But There’s Still the Moon,” Chicago singer-songwriter Tasha clings to that which is stable and consistent within a world where not much is anymore. As her first single since 2018, the track reveals a Tasha with her guard down, looking forward and looking up. Through warm synths and laid back guitar she confesses “The truth is all these rhymes / Barely hold me together / But I still try / To bare it through the bad weather / Winter’s harsh sting / So unforgiving.” Yet, even throughout the turmoil surrounding her, Tasha finds hope from up above. As almost an exhale full of relief, she reminds herself of that which she can always count on, “But there’s still the moon / And I still really love the color blue.” The artist's sense of hope comes to a culmination within a towering chorus—one so sweet and vulnerable that you can’t help but feel the optimistic glow radiating from each word as she commits to bettering her future self under the watchful eye of the man on the moon.

"Not Much" is a compelling, semi-abstract art piece. The track opens with a flirtatious walking bassline followed closely by jazzy chords that hook your interest right away. Next, you are introduced to Kim Tillman’s spellbinding voice. The first (and only) verse provides the closest thing to concrete imagery the song possesses—a hazy half-remembered conversation left unfinished. The lyrics start to swirl around themselves as Tillman's voice dances through your ears in dizzying vocal layers. It’s as though you are tumbling through space yet never quite hit the ground. You end up suspended in a realization; it’s a thought caught somewhere between disturbing and liberating. Willing and able are two entirely different things, aren’t they?