"Prayer Beat" by LOMELI is a slow-burning slice of a vibration born out of some heartfelt, emotive pangs only an artist entangled in a messy love affair with melody and soul could make. The sheer longing in the vocal is enough to make the same face Jay-Z made when Timbaland pressed play on the final "Dirt Off Your Shoulder" beat. Yet, it's the unwavering, tasteful production built on several of the prettiest harmonies this era of neo-soul has offered the world. Now, where's the IDM edit?

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It only took three minutes for a few of the golden leaves to gently annex themselves from the towering oak tree outside of the girl with the view of the park's window. She counted the leaves nevertheless. She even had a laugh over the viral video of a man counting numbers, then regained her composure as this was serious business, counting the number of leaves and all. Autumn was her favorite season, after all. It had been the hottest summer in the planet's history, and the fall felt as calm and crisp on her skin and mood as a freshly cracked open frozen can of soda pop. She could only count a few leaves before they stopped falling, some humorously reluctant to detach from the wood and the bark. When she stopped counting the leaves, her senses alerted her to the sound melting into her studio apartment's walls and floor. It reminded her of days at the lake with him, walks through the park with him, nights watching movies with him, runs up the mountains with him, dawns in the kitchen with him, drives from airports with him and dusks in the dark with him. She caught herself swaying to the song before the vocals came in. Once they did, she started to saunter her way towards the speakers. She caressed them with her palms. She put them together to mutter a silent prayer for more lazy evenings like these to give her more than enough solace to last her a billion lifetimes. That was when he knocked on her door and startled her so much she jumped into the air, face flushed red. She had to grab the corner of her desk to restore her balance before she walked towards the door to open it, to find him there on one knee. They married that fall and were a family of three by the next summer.

Swedish indie pop band, Holy Now, ushered in the year with new single “Feel It All." With a sense of nostalgic euphoria, this song is a joyful plea for ease and mindfulness. Keep an eye out for their new album coming out later this year!

Singer-songwriter Helena Deland from Montreal creates sweet, sweet melodies. “There Are a Thousand” is just one of them, her latest since her 2016 EP, Drawing Room. Deland’s voice is light and airy, reminiscent of hazy day dreams. She brings this easygoing attitude to “There Are a Thousand,” giving serenity to any overcast day.

Stef Chura’s debut album Messes was arguably the greatest hidden gem of 2017, and we are so excited for it to resurface this February via Saddle Creek. "Speeding Ticket" shows off Chura's 90s-alternative influences which are not only heard in this song but all over her debut album. There’s no doubt that you should have your eye on this Michigan native indie rocker in the coming months. 

Frankie Cosmos' first single "Jesse" off of upcoming album Vessels was released this past Friday. Greta Kline does what she does best with this song, taking her dreamy voice and at times obscure lyrics to bring you along in her dreamland. You'll love the building guitars tastefully juxtaposed with the lightness of her voice but there's no getting away from this song's honest and relatable lyrics about failed love, hopes for oneself and what moving on looks like.

Don't be fooled by REFS' small social followings; this music is the real deal. Brooklyn based Zachary Lipkins' REFS has melded pop with a myriad of textures to create beautiful synth confessionals. He has only released four singles, but a couple have already been featured on HBO's "Girls," The CW's "Riverdale" and MTV's "Scream". This new single builds off of the projects R&B/synth-pop sound with a emotional rawness akin to James Bay. Lipkins' vocal control is not only impressive but incredibly emotive, bubbling all of his feelings into the track so that we too, are filled to the brim. Though we don't know much about REFS, Lipkins' anonymity and short collection makes these releases all the more anticipatory. We can't wait for more.

This ultra somber and haunting song co-written by Lukas Frank and Phoebe Bridgers and can be found on the fourth episode of the new Netflix show Godless. With the repeated line "Where is God now?" heard various times throughout it under the grimacing Western sounding guitar tones, it's the perfect fit for a show about outlaws in the Wild West or if you just like really sad music.

Belgian indie group Pale Grey’s single, “Seasons” off of their new album, Waves is the perfect complement to a quiet fall afternoon. It starts off with a simple beat and some garage-like synths that quickly fill up the track with a feeling of longing. Though it sits at just over two minutes, the song packs an emotional punch with minimal production. It asks the question of whether or not you can go on when the one you love passes away, and in that contemplation is where the song shines.

Indie favorites JR JR, formerly known as Dale Earnhardt JR JR, have returned to the scene with new music after their self-titled LP back in 2015. The new single, “Clean Up” offers a look at the mind of someone coming to terms with their addictions and indulgences. The duo uses a throbbing bass line, simple plucked guitar and harmonies to illustrate the conflict that happens when one willfully chooses something that is bad for them. “Clean Up” brings JR JR to a more provocative realm, and one that we are excited to see more of in the upcoming album.

Henry Jamison is a storyteller at heart. It may be in his blood — his father, a classical composer, and his mother, an English professor — but Jamison is a writer and artist in his own right, evidenced by his debut album The Wilds (released October 27th). Beyond writing, recording and arranging the album all on his own, Jamison has a special ability to bring each track to life. Take his song, “The Wilds”: it’s instrumentally rich without being overbearing, letting Jamison’s narrative whisk you away. “The Wilds” sounds like an old-time American love story - unassuming and familiar, but nevertheless, still surprising.

Los Angeles genre-bending artist Moses Sumney released his gorgeous and ethereal debut album Aromanticism into the world this September. Sumney has made a big impression on artists like Solange and Sufjan Stevens for good reason. His infusion of soul and folk come together on this album in a way that leaves us begging for more. A prime example of this heavenly blend is found on the third song of the album, “Plastic.” A previous version of the song can be heard on the first season of Issa Rae’s HBO series, Insecure. This new version serves as one of the more simplistic songs on the album, featuring just a fingerpicked electric guitar, a synth and Sumney’s captivating voice. The hook of the song repeats the line “my wings are made of plastic,” each time sung in a slightly different way than it was before, continuing to imbue the phrase with new meaning. This song of vulnerability, self-awareness and secret-spilling is the kind that you can leave on repeat and get lost in for hours.