As Half Waif, Nandi Rose-Plunkett crafts jolting, whirring, emotionally adept sonic sketches of day to day life. Her latest offering is “Ordinary Talk,” a finely crafted window into the creative process. Over a distinctly Half Waif-ian wave of synth pads so lush they feel colored with a dark shade of purple, Plunkett delivers a deeply intuitive assertion, “I’ve got places in my mind that I’ll never find / if you’re holding my hand like you always do,” a sentiment that shape-shifts into another striking phrase just a few moments later—“I know myself well / when I’m in this hell / it’s part of the process / it doesn’t scare me.” Once you’ve caught your breath, Plunkett draws a narrative of small moments that cumulatively become watershed over a sparkling wash of static and warmth—“walking to the lake / getting in my car / folding up the laundry / taking it too hard,” then noting how loud and exhilarating small joys can be “singing at the stars / fumbling for my light / laughing at the TV / doing alright.” It’s hard to measure progress as one navigates the complexities of one’s inner world, but on “Ordinary Talk,” Plunkett has asserted herself as a quietly confident, empathic, and intuitive creative with an extraordinary capacity to take it all in stride and turn both the shadow and dappled sunlight into something breathtakingly cathartic. Her new record, The Caretaker, is out March 27.

Frankie Cosmos' first single "Jesse" off of upcoming album Vessels was released this past Friday. Greta Kline does what she does best with this song, taking her dreamy voice and at times obscure lyrics to bring you along in her dreamland. You'll love the building guitars tastefully juxtaposed with the lightness of her voice but there's no getting away from this song's honest and relatable lyrics about failed love, hopes for oneself and what moving on looks like.

Don't be fooled by REFS' small social followings; this music is the real deal. Brooklyn based Zachary Lipkins' REFS has melded pop with a myriad of textures to create beautiful synth confessionals. He has only released four singles, but a couple have already been featured on HBO's "Girls," The CW's "Riverdale" and MTV's "Scream". This new single builds off of the projects R&B/synth-pop sound with a emotional rawness akin to James Bay. Lipkins' vocal control is not only impressive but incredibly emotive, bubbling all of his feelings into the track so that we too, are filled to the brim. Though we don't know much about REFS, Lipkins' anonymity and short collection makes these releases all the more anticipatory. We can't wait for more.

This ultra somber and haunting song co-written by Lukas Frank and Phoebe Bridgers and can be found on the fourth episode of the new Netflix show Godless. With the repeated line "Where is God now?" heard various times throughout it under the grimacing Western sounding guitar tones, it's the perfect fit for a show about outlaws in the Wild West or if you just like really sad music.

Belgian indie group Pale Grey’s single, “Seasons” off of their new album, Waves is the perfect complement to a quiet fall afternoon. It starts off with a simple beat and some garage-like synths that quickly fill up the track with a feeling of longing. Though it sits at just over two minutes, the song packs an emotional punch with minimal production. It asks the question of whether or not you can go on when the one you love passes away, and in that contemplation is where the song shines.

Indie favorites JR JR, formerly known as Dale Earnhardt JR JR, have returned to the scene with new music after their self-titled LP back in 2015. The new single, “Clean Up” offers a look at the mind of someone coming to terms with their addictions and indulgences. The duo uses a throbbing bass line, simple plucked guitar and harmonies to illustrate the conflict that happens when one willfully chooses something that is bad for them. “Clean Up” brings JR JR to a more provocative realm, and one that we are excited to see more of in the upcoming album.

Henry Jamison is a storyteller at heart. It may be in his blood — his father, a classical composer, and his mother, an English professor — but Jamison is a writer and artist in his own right, evidenced by his debut album The Wilds (released October 27th). Beyond writing, recording and arranging the album all on his own, Jamison has a special ability to bring each track to life. Take his song, “The Wilds”: it’s instrumentally rich without being overbearing, letting Jamison’s narrative whisk you away. “The Wilds” sounds like an old-time American love story - unassuming and familiar, but nevertheless, still surprising.

Los Angeles genre-bending artist Moses Sumney released his gorgeous and ethereal debut album Aromanticism into the world this September. Sumney has made a big impression on artists like Solange and Sufjan Stevens for good reason. His infusion of soul and folk come together on this album in a way that leaves us begging for more. A prime example of this heavenly blend is found on the third song of the album, “Plastic.” A previous version of the song can be heard on the first season of Issa Rae’s HBO series, Insecure. This new version serves as one of the more simplistic songs on the album, featuring just a fingerpicked electric guitar, a synth and Sumney’s captivating voice. The hook of the song repeats the line “my wings are made of plastic,” each time sung in a slightly different way than it was before, continuing to imbue the phrase with new meaning. This song of vulnerability, self-awareness and secret-spilling is the kind that you can leave on repeat and get lost in for hours.