
Future Generations - Stay
“Stay, stay / It’s what I came to say / But I need a little time / Made, made / Swear we were made the same / I need to show you how I’m feeling.” Future Generations' latest single is the quintessential plea of modern romance, neatly boxing up the perplexing challenge of millennial love: how easy it is to express emotion through carefully penned messages from behind glowing screens at the rosy bud of a relationship before it blossoms, and we struggle to tangibly convey who we are, what we want, and how we’re feeling.
The band pulls out some of the same shimmering stops recognizable from their 2018 album Landscape, but employ some new tricks on their third-ever independent release. Plunging synth bass and driving kick drum are sweetly sewn together by a soaring guitar riff, but the song’s hallmark feature is the band’s newfound lo-fi rock edge; this is what wraps the song in a similar haze as a Julian Casablancas croon (The Strokes) while maintaining the melodic sensibilities of beloved indie-pop acts like Smallpools, COIN, or Yoke Lore. The song is filled with delicate touches, like the clicking of a newly flipped cassette tape, that inspire self-reflection and creative energy.
The same day I first heard “Stay,” I immediately thought the track would have been at home on the 500 Days of Summer soundtrack, and I ran to my notebook to jot down the rom-com monologue-style poem it inspired in my head:
i know what it is like to
love and lose, because i have loved
myself, lost myself, and learned this love
all over again—atom by atom. the highs
burn-in aching august red but the fall wreaks
the loudest silence; spinning wild symphonies
from time’s uncompromising grip.
can’t you give me a chance to show you
these constellations, penned here on my palms?
maybe you could stay, and save us both
the effort of learning
—once more
the art of letting go
Photo: Britnee Meiser
— Heddy Edwards on July 1, 2020
Lukas Frank - Shame (feat. Phoebe Bridgers)
This ultra somber and haunting song co-written by Lukas Frank and Phoebe Bridgers and can be found on the fourth episode of the new Netflix show Godless. With the repeated line "Where is God now?" heard various times throughout it under the grimacing Western sounding guitar tones, it's the perfect fit for a show about outlaws in the Wild West or if you just like really sad music.
— Dara Bankole on January 12, 2018
Pale Grey - Seasons
Belgian indie group Pale Grey’s single, “Seasons” off of their new album, Waves is the perfect complement to a quiet fall afternoon. It starts off with a simple beat and some garage-like synths that quickly fill up the track with a feeling of longing. Though it sits at just over two minutes, the song packs an emotional punch with minimal production. It asks the question of whether or not you can go on when the one you love passes away, and in that contemplation is where the song shines.
— Nick Arcos on January 10, 2018
JR JR - Clean Up
Indie favorites JR JR, formerly known as Dale Earnhardt JR JR, have returned to the scene with new music after their self-titled LP back in 2015. The new single, “Clean Up” offers a look at the mind of someone coming to terms with their addictions and indulgences. The duo uses a throbbing bass line, simple plucked guitar and harmonies to illustrate the conflict that happens when one willfully chooses something that is bad for them. “Clean Up” brings JR JR to a more provocative realm, and one that we are excited to see more of in the upcoming album.
— Nick Arcos on January 7, 2018
Henry Jamison - The Wilds
Henry Jamison is a storyteller at heart. It may be in his blood — his father, a classical composer, and his mother, an English professor — but Jamison is a writer and artist in his own right, evidenced by his debut album The Wilds (released October 27th). Beyond writing, recording and arranging the album all on his own, Jamison has a special ability to bring each track to life. Take his song, “The Wilds”: it’s instrumentally rich without being overbearing, letting Jamison’s narrative whisk you away. “The Wilds” sounds like an old-time American love story - unassuming and familiar, but nevertheless, still surprising.
— Natasha Cucullo on January 7, 2018
Moses Sumney - Plastic
Los Angeles genre-bending artist Moses Sumney released his gorgeous and ethereal debut album Aromanticism into the world this September. Sumney has made a big impression on artists like Solange and Sufjan Stevens for good reason. His infusion of soul and folk come together on this album in a way that leaves us begging for more. A prime example of this heavenly blend is found on the third song of the album, “Plastic.” A previous version of the song can be heard on the first season of Issa Rae’s HBO series, Insecure. This new version serves as one of the more simplistic songs on the album, featuring just a fingerpicked electric guitar, a synth and Sumney’s captivating voice. The hook of the song repeats the line “my wings are made of plastic,” each time sung in a slightly different way than it was before, continuing to imbue the phrase with new meaning. This song of vulnerability, self-awareness and secret-spilling is the kind that you can leave on repeat and get lost in for hours.
— Dara Bankole on October 22, 2017