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England - Grace Gillespie
England - Grace Gillespie

England - Grace Gillespie


Grace Gillespie, a London based artist and producer, has released a AA-side single “Lady Make Believe” / “England.” Gillespie says that “England” is largely is about being reconstructing her British identity during the fallout after Brexit. Gillespie’s raw debut “Restoration” was released earlier this year, revealing a tone similar to Bon Iver or Joni Mitchell. “England” is slightly more dream pop than her last release, with vocal harmonies humming over an acoustic guitar which jumps in and out of the song, providing texture and interest throughout. The delivery on the song is heartfelt and warm, allowing the lyrics to move to the forefront of the sound. Her delivery is impressive in its confidence and tenderness, making the work both calming and thought-provoking. We look forward to seeing where Gillespies career goes, and expect only beautiful work from her in the future.

Samantha Weisenthal on October 2, 2018
Workman Song - In The Palm

Workman Song - In The Palm


In today’s music world, where each song seems to be getting sleeker and sleeker, it’s refreshing to hear something a little bit more raw. A great example of this is “In The Palm” from Workman Song, aka Brooklyn singer-songwriter Sean McMahon. Seemingly untouched, imperfect guitar riffs ring out on top of a cowbell (not enough cowbell, ever) and McMahon’s organic emotion really shines through in his vocal delivery. While there’s a folky twang to it, there’s also no shortage of head-bang-worthy material. Queen-esque guitars and a chorus made up of falsetto chimes in towards the end, making it a song we’ll be rocking out to for a while.

Kirsten Spruch on October 1, 2018
Jackie Cohen - Darlin'

Jackie Cohen - Darlin'


Jackie Cohen’s “Darlin’” gleams amidst music’s nostalgic revival trends. With wistful synths and haunted piano a dash out of tune, Cohen subtly emulates the simplicity of rock’s roots. But it is with sleigh bells, shifting fills, and Cohen’s distinct vocal tone that the track achieves its distinctiveness. Her world-wearied vocals create an ear-catching juxtaposition amidst the gentler harmonies in the chorus, their differences blooming with color and vulnerability. The song exudes an atmosphere, bringing to mind a stage production: melancholic star center-stage as dancers swirl around her, bathed in blue lighting as- who knows- a disco ball spins overhead. Cohen has achieved a tall task in filling each piece of the simplistic production with luminosity. The ending result is a song you can sway along to in solidarity, and you almost don’t have to think about it.

Talullah Ruff on October 1, 2018
BOYO - Hit or Miss

BOYO - Hit or Miss


From the opening bends of “Hit or Miss,” BOYO saunters through the summery shimmer of psychedelia and sunshine. BOYO is the project of Los Angeles’s Robert Tilden, who, at only 22 years old, has created his own brand of surf rock too hip to be associated with those actual surfer boneheads. Instead, he takes a page from bands like Portugal. The Man, layering falsetto vocals and strumming with such heavy laid-back chorus effect as if to say, "I don’t even care if I’m in tune." What might appear sluggish or lazy if performed by others comes off as effortless and suave. This is the kind of California Cool-with-a-capital-C that must accompany discussing Films-with-a-capital-F, which, for the record, is something the BOYO Twitter account is full of. “I know / I’m hit or miss / Oh no,” Tilden worries, but it doesn’t seem to bother him too much.

Daniel Shanker on September 28, 2018
IAN SWEET - Spit

IAN SWEET - Spit


Jillian Medford, the lead singer of IAN SWEET, has released “Spit,” the second track off of her upcoming album Crush Crusher. A song about preparing oneself for an oncoming breakup, “Spit” is strange in its curling imagery and the tone of a piece about predetermining heartbreak. Sure, the subtle scream that we have come to appreciate from IAN SWEET seems accurate to the feeling one would expect from a narrative such as this, yet their is a subtle sweetness on the track, maybe a yearning or a quiet question, but never anger. In this way, IAN SWEET has a knack for casually wrecking her audience. Although lines such as, “Open wide, let me see / If I am putting myself in danger again”, are devastating in content, they are delivered as an obvious step in any 21st century relationship. 

Although "Spit" should be shocking and chaotic in nature, it makes sense, each moment of the thought process that Medford is mapping for us is far too common to be appalling. The unusual and somewhat bizarre imagery of dissolving into someone else's spit exemplifies this. The imagery expresses a sentiment that it is not that we are waiting to be hurt, it is that we are waiting to be taken by someone, waiting to be taken by anyone. IAN SWEET  has thoughtfully constructed a song about expectations and the swipe left culture many of us are embedded in. She is working to consider how this mayhem we call hook up culture is shaping the way we allow ourselves to think about our relationships, our partners, and our own self worth.

Samantha Weisenthal on September 28, 2018
Ritual Talk - Reminders

Ritual Talk - Reminders


Ritual Talk has released “Reminders,” a song which precedes their upcoming debut LP Plans.  A three part band with a plethora of instruments at the helm, the song is replete with melodies and beats that are sure to have you nodding your head on the subway. The song begins with the lines, “I know it’s always moving / so where am I to stand,” an image that reflects the sound of the work. “Reminders” is a well-constructed puzzle of intriguing sounds and lyrics, put together flawlessly. With guitar, keys, bass, several voices and the drums, the band uses each of their instruments to their fullest capacity, creating a layered and exciting sound. Although the song is filled to the brim with a variety of textures and individual moments, the work is never chaotic, but instead it moves along with the lyrics spontaneously. We expect a lot from Ritual Talk during these coming months, and can’t wait to hear the rest of Plans.

Samantha Weisenthal on September 27, 2018
Kuri - Human Nature

Kuri - Human Nature


Hailing from Abbotsford, British Columbia, Scott Curie, who performs under the monkier Kuri, announces his new EP expected October 12. "Human Nature" the title-track off of the EP is a gorgeous track where Kuri analyzes the loss and changes in his life. Upon reflection he sees this song being about, "a breakup, a close friend moving away, and six people [he] saw every day disappearing from [his] life. With the heavy presence of strings and artful guitar picking, Kuri creates a beautiful yet somber landscape to accompany his realizations. "It's human nature to want something you'll never have," he sings with melancholy in his voice. Kuri approaches his songwriting by seeing himself in the third person. In this unique approach he is on the outside looking in and it's as if this perspective allows him to read the story of his life in a objective manner. In "Human Nature" we see Kuri making his peace with it all and as he sweetly sings his last note, it's as if he has.

Dara Bankole on September 27, 2018
Men I Trust - Seven

Men I Trust - Seven


The gentle grooves swirling around on “Seven,” the latest single from Montreal-based indie trio, Men I Trust, makes for a charming, smooth-rock sound that you might hear while rummaging around in a thrift store. Fueled by the bounce of Jessy’s bass line, keyboardist, Dragos, and vocalist, Emma, all bring their layers to culminate to a calming warmth. The track is understated but has a distinct brightness and is complete with a soothing guitar solo at the end. Let this track accompany you as you break out your favorite fall sweater and soak up the rest of the season’s sunshine!

Deanna DiLandro on September 27, 2018
Nighttime - II (The Space Between)

Nighttime - II (The Space Between)


Brooklyn's Eva Louise Goodman better known as Nighttime, describes her sound as "haunting and ethereal folk." With the release of her latest single "II (The Space Between)" off of her new album set to release next month, one is able to see exactly how this description came about. Not only does this song really embrace the essence of the artist's sound, but also her name. As the first verse repeats "Night after night after night" the image of nighttime fills our minds accompanied by a bright moon that illuminates the darkness while also drawing attention to it. Goodman tastefully utilizes loops and layers, many of them echoing one another in lullaby-like fashion. There is a mystic wonder in "II (The Space Between)" as if the one who is leaving "you with this in mind" is not of this world. Like a vision or a dream, Nighttime's hazy voice subconsciously enters your psyche leaving you to wonder what is real. Be sure to see Nighttime take the stage with fellow Brooklyn artist Mutual Benefit and catch the release of Hand in the Dark out October 12!

Dara Bankole on September 27, 2018
Iron & Wine - What Hurts Worse

Iron & Wine - What Hurts Worse


There isn't a better coupling than autumn and new Iron & Wine. While the temperature chills there is a warmth in Sam Beam's voice and lyrics that is comforting and familiar. Whether he is singing about a flightless bird or asking a former love to not forget him in the nine minute and thirty-one second masterpiece that is " The Trapeze Swinger," Beam's skill of imagery is unmatched. In "What Hurts Worse," Beam looks inward in a more practical way urging us to become better than the ones that hurt us. "Let's become the lovers we need," he says, a cry to break the cyclical nature of hurt people hurting other people. Beginning with just a kick drum, there is a sort of tossing sensation that occurs, similarly to the way we can throw around negative emotions and experiences to rid ourselves of them. Beam is impassioned with these thoughts when he sings them, showing that they are coming from a genuine and knowledgeable place. "What Hurts Worse" ends with a droning effect that repeats the lines "Let's become the lovers we want / Let's become the lovers we need." in hopes that the repetition will stick in your head and make its way down to your heart. Check out the rest of the Weed Garden EP out now!

Dara Bankole on September 26, 2018
Surf Rock is Dead - Away Message

Surf Rock is Dead - Away Message


Brooklyn new-wave alt-rockers Surf Rock is Dead have released the first single from their upcoming debut LP. "Away Message" is an ode to a fallen friend — that friend being AOL Instant Messenger. Up until December 2017, AIM was the last vestige of a simpler age of technology. Before iMessage and Facebook, the application was the sole hub of all instant digital communication. SRiD's new song evokes nostalgia by sweetly recalling the days of using the service as a way to chat with a crush for the first time and what a thrill it was to hear that ringing bell alert when they signed on. The band's genre, which is often lumped in with other gazey Brooklyn indie-rock bands like DIIV or Beach Fossils, actually often incorporates elements of '90s alt-rock in a way many of their contemporaries do not, which is a fitting backdrop for the subject matter. Surf Rock is Dead's new album is due out next year.

Bobby Lewis on September 26, 2018

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