Bright Eyes - Persona Non Grata
To build mysterious, silent anticipation as a band for 9 years and then suddenly release a song that means “unwelcome person” in Latin is the exact kind of ironic move Bright Eyes fans have come to expect from Conor Oberst and company. Despite Bright Eyes' long sabbatical as a group, Oberst was quite active in the 2010s, releasing four solo albums as well as a project with Desaparecidos, and all culminating in last year’s brilliant collaboration with Phoebe Bridgers as Better Oblivion Community Center. The longer the silence, the more expectations you build from your most loyal audience; and when you’re Bright Eyes, that audience is looking for lyrics that not only activate their tear ducts but also exercise their literary and cultural knowledge. In this way, the somber march of “Persona Non Grata” arguably marks a victorious return to lyrical form, as Oberst reflects his own inner world in every handpicked clothing item, Biblical image and historical reference. His aftershave is “blue” as he puts on “combat boots” for a date; he tells us that the kilt he puts on is to hide the weight he feels, and the moment we have finally stopped thinking about how weird that line is, a mournful bagpipe solo appears like a wry musical smile. One of Oberst’s strengths as a songwriter is that he is always planting a seed for something later on. And now that we know there’s something in the soil, we can't help but imagine the beauty of what might flower in the coming months.
— Karl Snyder on April 15, 2020
Refs - Boarding It Up
Don't be fooled by REFS' small social followings; this music is the real deal. Brooklyn based Zachary Lipkins' REFS has melded pop with a myriad of textures to create beautiful synth confessionals. He has only released four singles, but a couple have already been featured on HBO's "Girls," The CW's "Riverdale" and MTV's "Scream". This new single builds off of the projects R&B/synth-pop sound with a emotional rawness akin to James Bay. Lipkins' vocal control is not only impressive but incredibly emotive, bubbling all of his feelings into the track so that we too, are filled to the brim. Though we don't know much about REFS, Lipkins' anonymity and short collection makes these releases all the more anticipatory. We can't wait for more.
— Natasha Cucullo on January 12, 2018
Lukas Frank - Shame (feat. Phoebe Bridgers)
This ultra somber and haunting song co-written by Lukas Frank and Phoebe Bridgers and can be found on the fourth episode of the new Netflix show Godless. With the repeated line "Where is God now?" heard various times throughout it under the grimacing Western sounding guitar tones, it's the perfect fit for a show about outlaws in the Wild West or if you just like really sad music.
— Dara Bankole on January 12, 2018
Pale Grey - Seasons
Belgian indie group Pale Grey’s single, “Seasons” off of their new album, Waves is the perfect complement to a quiet fall afternoon. It starts off with a simple beat and some garage-like synths that quickly fill up the track with a feeling of longing. Though it sits at just over two minutes, the song packs an emotional punch with minimal production. It asks the question of whether or not you can go on when the one you love passes away, and in that contemplation is where the song shines.
— Nick Arcos on January 10, 2018
JR JR - Clean Up
Indie favorites JR JR, formerly known as Dale Earnhardt JR JR, have returned to the scene with new music after their self-titled LP back in 2015. The new single, “Clean Up” offers a look at the mind of someone coming to terms with their addictions and indulgences. The duo uses a throbbing bass line, simple plucked guitar and harmonies to illustrate the conflict that happens when one willfully chooses something that is bad for them. “Clean Up” brings JR JR to a more provocative realm, and one that we are excited to see more of in the upcoming album.
— Nick Arcos on January 7, 2018
Henry Jamison - The Wilds
Henry Jamison is a storyteller at heart. It may be in his blood — his father, a classical composer, and his mother, an English professor — but Jamison is a writer and artist in his own right, evidenced by his debut album The Wilds (released October 27th). Beyond writing, recording and arranging the album all on his own, Jamison has a special ability to bring each track to life. Take his song, “The Wilds”: it’s instrumentally rich without being overbearing, letting Jamison’s narrative whisk you away. “The Wilds” sounds like an old-time American love story - unassuming and familiar, but nevertheless, still surprising.
— Natasha Cucullo on January 7, 2018
Moses Sumney - Plastic
Los Angeles genre-bending artist Moses Sumney released his gorgeous and ethereal debut album Aromanticism into the world this September. Sumney has made a big impression on artists like Solange and Sufjan Stevens for good reason. His infusion of soul and folk come together on this album in a way that leaves us begging for more. A prime example of this heavenly blend is found on the third song of the album, “Plastic.” A previous version of the song can be heard on the first season of Issa Rae’s HBO series, Insecure. This new version serves as one of the more simplistic songs on the album, featuring just a fingerpicked electric guitar, a synth and Sumney’s captivating voice. The hook of the song repeats the line “my wings are made of plastic,” each time sung in a slightly different way than it was before, continuing to imbue the phrase with new meaning. This song of vulnerability, self-awareness and secret-spilling is the kind that you can leave on repeat and get lost in for hours.
— Dara Bankole on October 22, 2017