BOYLIFE - BOSTON
“thank u love u”— that’s all boylife, aka LA artist Ryan Yoo, wrote when he released his newest single.
“boston” has a nostalgic kind of texture, like the intimate grit of an old mixtape. It gives body to that stickiness we’ve all experienced from a song when it transports us back to a very specific time and place—a person, a scent, a state of emotion, a certain cast of streetlight. I’ve lived in Boston, but the magic of this song is that “Boston” can represent any place where you’ve dreamed in or dreamt of. With soft organ and reflective gospel-like call and response, it offers a reminder that the relationships and experiences we have in these places shape us for better or worse. For that, we can appreciate them, grow, and also let go with a simple “thank u love u.”— Talia Pinzari on August 13, 2020
NAKAYA - Fire Becomes Me
Low strings set a somber mood before NAKAYA’s enchanting voice comes through on her new demo “Fire Becomes Me.” Steady as can be, the Brooklyn-based artist guides us through a story of calm turmoil, which eventually boils over as she sings, “Well is it true / what can I do / I'm finding / fire becomes me now.” The tranquil sound of this track juxtaposed with the fiery imagery couldn’t be more apt during a time in which isolation has become the norm though the fires of societal tumult and change rage on. All of the proceeds from this demo's digital downloads on NAKAYA’s Bandcamp are being donated directly to Color of Change.— Ben Burke on August 7, 2020
Spencer. - Maybe
Heavy, subtly unsettling beats offset a buttery voice and introspective lyricism on Spencer.’s latest "Maybe." The 21-year-old New York native who bet the house and his college education on a music career certainly came out on top and it's easy to see how in just two short years, he amassed quite a substantial following and millions of streams on his art.
Spencer. opens with “Maybe life’s a joke / I feel like my soul is stuck” immediately and somberly introducing a raw and relatable emotion that is a theme throughout the song—overwhelming skepticism about life and the future. At such a young age, Spencer.'s grasp of the complexities of the emotions attached to the future is definite and his interpretation of them is creative. He playfully transitions from singing to speaking in epithets like, “I’m on my way up / cumulonimbus it got me stuck / in a few weeks I’ll be 21 / 2020 my vision till 20 sumn / I been working like I’m scared of growing up."Spencer. is currently working on his first full-length album—we definitely can't wait to hear more. Photo by Nathanael Turner— Jazzmyne Pearson on August 7, 2020
Ayoni - Unmoved (A Black Woman Truth)
Revolution comes in all shapes and sizes. Even though it should inspire others to join, it often scares people on the sidelines. What’s scary is to be revolutionary, to speak your truth to power, to give people the opportunity to turn a blind eye to your own experience, and to tell you that you’re wrong. Ayoni released her truth, “Unmoved (A Black Woman Truth),” offering peace, knowledge, and even a reality check for those who are truly listening. For Black women, it is the reiteration of the struggle they’ve always faced, brought to them in a vessel that allows for them to feel at peace. For Non-Black people, it provides a lesson in the Black experience and how the fight for Black lives is not new, as Ayoni sings, “It’s always been bigger than this.” Lastly, it is a call to action for the people who are listening and a wake-up call for the ones who aren’t.
“Unmoved (A Black Woman Truth)” is the battle cry of the revolution both sonically and lyrically. The song begins softly with the strumming of an acoustic guitar, Ayoni’s vocal then coming into play creating a shift that pulls you in. As the song progresses, the layering and tone of her voice symbolize the frustration and anger that ebbs and flows when trying to reason with ignorance. Ayoni sings, “Are you sitting comfortably while we bleed in vain? / I’ve died by other names,” calling attention to the countless Black women who have died unnecessarily. She continues, “Please make me feel you care my ally / But are you prepared to lose your sleep / To bare your teeth / To break like me?” She is calling on us to not only reflect but to educate ourselves and put in the work. Ayoni spoke her truth to power. Now it is up to us to listen.— Sloan Pecchia on August 6, 2020
Moon Panda - Slow Drive
Denmark-based duo Moon Panda have clearly done their homework, and the result of their focused vision is “Slow Drive,” a track as peaceful and centering as its namesake. The bright, scattered tones in the song’s first moments are soon enveloped in a chillwave: we see a washed-out scene of a beach house (or other seaside real estate) at sunset. Californian-born Maddy Myers paints the warming ocean as only a Californian can, digging into the sand with her deep and subtle soprano. Meanwhile, her lyrics could not fit the blurry guitar-driven ambiance any better—in fact, they could even double as a poetic review of the track itself: “I close both my eyes now, try to feel the breeze. The calm washes over me. I heal on my own.” My thoughts exactly.
Moon Panda’s new Make Well EP was released on Bandcamp and other streaming platforms on July 13.— Karl Snyder on August 6, 2020
Twain - Love, Go Lightly
“Love, Go Lightly" the opening track off of Twain’s most recent album, Days of Effort and Ease, serves as the perfect entrance to a unique and contemplative concept album. On this track, Mat Davidson aka Twain creates a beautifully open soundscape full of melodious acoustic guitar, hushed vocals, and the harmonious chirping of nearby birds. The lyrics are refreshingly optimistic, encouraging us to notice and embrace the world around us rather than the one that is strictly in our heads. While the sonic relief "Love, Go Lightly" provides may be temporary, we are compelled to revel in evanescence.— Lilly Rothman on August 6, 2020
snny - Postmodern Black
snny’s “Postmodern Black," the latest single from the dizzyingly dynamic new artist, is incredibly crafted. It’s a work of art. The production is slick and tight, still managing to attain some dreamy space thanks to snny’s gorgeous vocals—juxtaposed with a grimy, overdriven synth hit irregular heartbeat. Not only is it masterfully made, but it's also gloriously fun to listen to. It’s a modern electronic bop given a stylish, timeless shot to the heart with some Nile Rodgers-esque guitar (think “Get Lucky” or “Le Freak”). snny expresses himself with an easy confidence, with lyrics like “I walk the streets, I run my world, I climb so high because it calms me down”—with every introspective line, he's further establishing himself as a solid voice to watch. “Postmodern Black” may be the perfect soundtrack to these warmer months, but lucky for us, it’s so much more than just another summer jam, which feels appropriate. After all, isn’t this so much more than just another summer?— Stephanie Lamond on August 5, 2020
Jordana - Forgetter
Jordana’s debut EP, Something To Say, was released on Bandcamp on July 31, and “Forgetter” acts as its sixth and final statement. In this ruminative track, it feels like the laws of relativity have transcended physics and come to govern emotions as well. When your car starts moving forward and you aren’t expecting it, you might think for a moment that the entire world is moving backwards. “Forgetter” captures Jordana processing her feelings after she’s been disoriented by the emotional law of relativity: when someone else is acting distant, but you think you’re the one who is moving farther away. It’s a disorienting experience at first, like there’s something you’re forgetting. But then your mind snaps into focus and you realize you’ve been standing still the whole time.
The musical elements of the song anchor the overall mood in a space of self-reflection. Jordana’s conversational, almost stream-of-consciousness vocal delivery aptly conveys her attempted calm as it gives way to slight desperation. And while the lyrics are written in first and second person, the moody Death Cab-style bass and guitar seem to signal that there is only one side to this conversation. We are witnessing a person swimming in her own head, rehearsing her side of an important conversation. In the chorus, Jordana sings “I just want to feel better; I want all of these thoughts just to mellow out.” But she knows it’s just a matter of time before she comes down from this anxious moment. Sometimes time is the best antidote when space eludes you.— Karl Snyder on August 5, 2020
JW Francis - New York
Hearing someone else reflect on the harrowing experience which is navigating life in your 20s ultimately makes it seem less daunting and scary. Much like Taylor Swift once explained to us, “it’s happy, free, confusing and lonely at the same time.” JW Francis’ latest lo-fi dream pop track, “New York," encompasses a similar feeling. It’s the realization that achieving and working toward your dreams looks a lot like sleepless nights and slowly losing your mind. Just as it feels like Francis doesn’t take a breath while throwing out lines like, “The best me, the worst me / Am I just my dreams,” so does life feel like when you are unsure of anything, but commit completely to it anyway. Raspy vocals that lean into their mellow nature bring awareness to the discomfort of youth, while ultimately appreciating the power and energy that come along with it.— Beck on August 5, 2020
All We Are - Heart of Mine
Opening with a burst of synth and an enticing guitar lick, “Heart of Mine," the new single from All We Are, ensnares the listener in its groove right from the jump and never lets go. Expertly blended into the bright sound are elements of trepidation and vulnerability. The band has referred to “Heart of Mine” as, “one of our most honest and candid love songs.” A central theme of the track is the cognitive dissonance between self-preservation and openness that goes hand in hand with passionate love. The prevailing sentiment is a call to live life and a confidence that the rewards of love make worthwhile the heartache that can come with it. This thesis is cleverly driven home in the interplay between the vocal and guitar during the verses. When the singer questions themselves, “how close do I want to be to it?”, “how much do I want to be part of it?”, the staccato guitar mirrors the melody. In these moments it feels like the instrument is mocking the cerebral mind for thinking it has control over its feelings—inviting the singer to take a risk and give themselves over to the passion. A visualizer has been released to accompany the track, depicting the band members in front of a background that hypnotically fades between soft colors.— Emerson Obus on August 4, 2020
MICHELLE - SUNRISE
i wanted you
in the yolk dripping down my fingers after biting into my toast and
in shades of faded sunburns
fresh-cut orange slices on the
morning after M train
willing for a sticky summer sunrise
spent combing disheveled ginger locks
NYC-based six-piece collective MICHELLE deliver on their glowing new single, “SUNRISE,” which defines how it feels to lose something that was never really yours—sitting in the empty space left behind. “SUNRISE holds some kind of a summer air, but more so a longing for someone who could never really show up,” the group explains. “SUNRISE is as bittersweet as it is groovy.” The single, marking their first release since their 2018 debut HEATWAVE, picks up right where they left off—sticky and sultry, yet still fresh enough to cool things off as we leave summer behind.— Ysabella Monton on August 4, 2020