Born to an immigrant Pakistani father and a first-generation Turkish American mother, Philadelphia-based artist Ali Awan has a unique take on music, informed by his upbringing and passion for expression. His upcoming EP Moon Mode is a collection of stylistically varied songs tied together by a unified emotion. On Moon Mode, Awan takes on a strenuous quest from darkness to light. His latest single “Climb” finds him right in the midst of that journey. 

Jangly chords set the stage for an iconic guitar line that plays throughout. Supported by stirring drums and a deep bassline, Awan recounts the uncomfortable and taxing position he finds himself in. However, he is quick to grasp his own agency and capacity in order to get out. Bright samples from collaborator Will Brown (Astronaut Jumpshot) play as Awan slowly starts to move towards greater clarity, singing earnestly, “Dirt up on my knees / Looking kind of crazy / But feeling alright.” He vividly conveys the physical and emotional effort it takes to come out on the other side of a murky ditch. 

Awan is generous with his hard-earned wisdom as he shares some advice: “ I wanna let you know / Climb up of all those holes you dive in / Pick every piece back up.” He celebrates his triumph with a flurry of guitars, samples and a shimmering sitar, creating a mesmerizing soundscape that lets us know we can do it too. Moon Mode will be released on June 11th via Born Losers Records. Photo by Don Vincent Ortega. 

This ultra somber and haunting song co-written by Lukas Frank and Phoebe Bridgers and can be found on the fourth episode of the new Netflix show Godless. With the repeated line "Where is God now?" heard various times throughout it under the grimacing Western sounding guitar tones, it's the perfect fit for a show about outlaws in the Wild West or if you just like really sad music.

Belgian indie group Pale Grey’s single, “Seasons” off of their new album, Waves is the perfect complement to a quiet fall afternoon. It starts off with a simple beat and some garage-like synths that quickly fill up the track with a feeling of longing. Though it sits at just over two minutes, the song packs an emotional punch with minimal production. It asks the question of whether or not you can go on when the one you love passes away, and in that contemplation is where the song shines.

Indie favorites JR JR, formerly known as Dale Earnhardt JR JR, have returned to the scene with new music after their self-titled LP back in 2015. The new single, “Clean Up” offers a look at the mind of someone coming to terms with their addictions and indulgences. The duo uses a throbbing bass line, simple plucked guitar and harmonies to illustrate the conflict that happens when one willfully chooses something that is bad for them. “Clean Up” brings JR JR to a more provocative realm, and one that we are excited to see more of in the upcoming album.

Henry Jamison is a storyteller at heart. It may be in his blood — his father, a classical composer, and his mother, an English professor — but Jamison is a writer and artist in his own right, evidenced by his debut album The Wilds (released October 27th). Beyond writing, recording and arranging the album all on his own, Jamison has a special ability to bring each track to life. Take his song, “The Wilds”: it’s instrumentally rich without being overbearing, letting Jamison’s narrative whisk you away. “The Wilds” sounds like an old-time American love story - unassuming and familiar, but nevertheless, still surprising.

Los Angeles genre-bending artist Moses Sumney released his gorgeous and ethereal debut album Aromanticism into the world this September. Sumney has made a big impression on artists like Solange and Sufjan Stevens for good reason. His infusion of soul and folk come together on this album in a way that leaves us begging for more. A prime example of this heavenly blend is found on the third song of the album, “Plastic.” A previous version of the song can be heard on the first season of Issa Rae’s HBO series, Insecure. This new version serves as one of the more simplistic songs on the album, featuring just a fingerpicked electric guitar, a synth and Sumney’s captivating voice. The hook of the song repeats the line “my wings are made of plastic,” each time sung in a slightly different way than it was before, continuing to imbue the phrase with new meaning. This song of vulnerability, self-awareness and secret-spilling is the kind that you can leave on repeat and get lost in for hours.