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Twain - Death (or S.F.?)
Twain - Death (or S.F.?)

Twain - Death (or S.F.?)


“Death (or S.F.?),” is a timeless and beautiful low-fi jam from indie folk-rocker Twain’s new record, New Miami Sound. Twain is Mat Davidson, a singer-songwriter who has long favored a raw, analog-like style of production. Complete with a teeming background hiss that hovers just within earshot, “Death (or S.F.?)” is just the same, sounding old in all the right ways. The piano, for instance, reverberates heavily, giving it an echo effect that makes it sound like a baby grand being played in a vintage parlor. The soft, muted drums and nostalgic strings flow easily through the song like they’re leading you down a dreamy Pacific landscape. Davidson’s candid lyrics and smooth vocals deftly match that mood: “I was walking in the park getting stoned with local losers / dreaming of my girl but knowing that I’d lose her.” Carefully arranged and masterfully mixed, “Death (or S.F.?)” is a quietly powerful opening track. Listening to it for the first time feels like dusting off a box of your parents’ old vinyl records and discovering they’re in near-mint condition--pleasing and surprising.

Britnee Meiser on February 27, 2019
Molly Sarlé - Human

Molly Sarlé - Human


Molly Sarlé, one of the ever-charming, flute-like voices of Mountain Man, takes a step out on her own on her recent release, "Human." A swaying, danceable ballad, "Human" is an effervescent collision of Sarlé's folk roots and swirling alternative rock. Featuring warmly nostalgic layers of piano and guitar, the core of "Human" is Sarlé's voice, one which seamlessly delivers the nuance of both the ethereal and confessional grit. Despite the tune detailing the memory of love lost, and the ways that our projections onto love interests can sour a relationship before it truly has time to root in reality, Sarlé finds hope in the midst of loss and looks towards the  joy of new beginnings. “You know I’m nothing other than human,” is an open-hearted assertion, a reminder than human love is imperfect, as well as perfect example of Sarlé's candid songwriting. Aptly described as “west coast incantations with a warm, Appalachian glow,” Sarlé's entire catalog, both past and forthcoming, is a meditation on a life-time of feeling and doing so deeply. "Human" is a beacon of light and a sweet sneak peek of all the magic in store as Molly Sarlé dances into the spotlight.

Emma Bowers on February 19, 2019
Bailen - I Was Wrong

Bailen - I Was Wrong


NYC based trio BAILEN bring their sweet sounding harmonies and soulful demeanor to their first single “I Was Wrong.” The band, made up of fraternal twins Daniel (vocals/bass/synth/guitar), David (vocals/drums) and younger sister Julia Bailen (vocals/guitar), sing of arguments, learning from new perspectives, swallowing one’s pride and admitting that your wrong. Their voices swing with a settle and twang — “If chaos is the law / We’ll keep on falling down in the same way / Something can be done / But nothing’s gonna change ‘til we all can say / I believe that I was wrong.” The siblings together have created a track that not only pulls at listeners’ heartstrings, buts also only inspires unity, contemplation and respect.

Alessandra Rincon on February 19, 2019
Emily Reo - Strawberry

Emily Reo - Strawberry


Throughout the past ten years, Emily Reo has put out a handful of releases that all depict an artist that who has a vast range of sound. In "Strawberry" Reo sings of the dilemmas women face in today’s society ranging from always feeling endangered to being treated as property. Lyrics like, "Over my headphones / I hear you telling me to smile / and then you reach for me / bit in the ocean bleeding / where is your self-control?" accurately represent the every day ins and outs on the receiving end of toxic masculinity. The song sounds happy in nature, ironically playing to the idea of always wanting women to “grin and bear it,” — still don't be fooled by the bubblegum pop feel, behind the cheeriness is a truthful look at an ongoing problem that Reo's uses her music to address. With her upcoming album Only You Can See It being released via Carpark Records this April, we're pumped to see what's in store for this dynamic artist!

Dara Bankole on February 19, 2019
Rosie Tucker - Habit

Rosie Tucker - Habit


“I got a bad habit / Of holding my tongue," Rosie Tucker sings in “Habit,” a new single deftly demonstrating their masterful lyrical penmanship in order to process the memory of a relationship broken by the inability to say what needed to be said. The song’s unconventional 5/4 time signature not only serves as a backdrop for the newly formed rift in the relationship — the feeling that things are not the way they were and that that stability was taken for granted — but also allows Tucker to serve each verse with unexpected emphasis, catching the listener off guard with every syllable. “I woke up bereft / With no poetry left,” Tucker sing-speak-slams, so the words flow out in a refreshing cadence, perhaps one more representative of actual stream-of-consciousness speech. Tucker never sacrifices the emotional depth of their lyrics to achieve the song’s manic poetic structure or vice-versa, so the song is filled with expertly constructed, devastating stanzas: “Weeks like these / I wish we were still speaking / Are you pleased with the pieces of me you’ll be keeping?”

Daniel Shanker on February 15, 2019
Lolo Zouai feat. Blood Orange - Jade

Lolo Zouai feat. Blood Orange - Jade


Lolo Zouai adds to her collection of stunning songs with her newest EP, Ocean Beach. Lyrically and rhythmically the second song on Ocean Beach, “Jade,” has a soothing but bittersweet quality to it. Zouai’s elegant wispy vocals give a buoyancy to the quiet rhythm that finally gives in to an escalation in beats as soon as Hynes’ (Blood Orange) comes in with paired vocals. Playing with her Parisian roots, there are literal whispers of French throughout the song, enhancing the sense of longing and intimacy that is impossible not to get lost in. Its the perfect R&B collaboration, as the sound’s attraction is driven home by the elusive story the lyrics can tell by themselves. "Powerful and real, "Jade" is the perfect example of the genius that earned Zouai and Hynes their respect throughout the music industry so quickly.

Monica Hand on February 15, 2019
Cathedral Bells - Time Capsule

Cathedral Bells - Time Capsule


The shoegaze pop collab between Matt Messore and David Carey, have released their new self titled album, Cathedral Bells. The nostalgia washed aesthetic which plays throughout the work is best heard on the song "Time Capsule," the second piece off the album. Cathedral Bells sounds like a 2019 version of New Order meets Beach House, with hazy guitars, a dominant bass line and the synth melody line of contemporary indie rock. The song shimmers in and out of headphones, while Matt’s voice sounds something like a narrator for an indie movie dream sequence. "Time Capsule" perfectly captures all that is 2019 nostalgia, with a sprinkling of 80’s and 90’s aesthetics, and a strong penchant towards roll the window down bedroom pop.

Samantha Weisenthal on February 15, 2019
Josh Gilligan - Quiet Together

Josh Gilligan - Quiet Together


Josh Gilligan is always cooking up some new and exciting project—whether it be collaborating on music with Liza Anne and Model Tenant, or writing and producing comedy sketches and short films. The Nashville-based singer-songwriter’s musical identity is as diverse and extensive as his multi-media creative vision. For this reason, it comes as no surprise that his latest, low-key love song, “Quiet Together” is just what you need this Valentine’s Day whether you’re celebrating with a partner, friends, family or on your own. The heart-filled ambience of “Quiet Together” melds elements of traditional jazz, synth-based sounds, and Caribbean-inspired instruments and harmonies. What results is a song about love that strikes the perfect balance between overly sentimental and lighthearted. Take the time today to find that quiet space and get some breathing room from the rest of the world. Have a listen to “Quiet Together.”

Andrea de Varona on February 14, 2019
Half Gringa - Teggsas

Half Gringa - Teggsas


Few artists are on the come up like Izzy Olive, the indie singer-songwriter who performs as Half Gringa from Chicago, IL. She has slowly yet surely been gaining attention from indie artists and publications alike. The artist’s most recent release, Gruñona, was named the third best album of 2017 by the Chicago Magazine and in 2018, Half Gringa opened for Le Butcherettes and The Flaming Lips. "Teggsas" is a song that builds through the intensity of its instrumentation and lyric, coming to crescendo in a heartbreaking chorus of “How could you?” The opening lines of the tune, “I can see the end of everything/ You say that it used to be an open prairie/ When will you say other things that scare me,” are blunt and poetic, with melody floating above a simple yet piercing acoustic guitar line. Layers of guitar and synth stack on top of one another, culminating by the end of the song into a full ethereal orchestra. Half Gringa is a band that we have been watching for many years now, and "Teggsas" only further excites us for whatever is up next for this budding artist. Make sure to watch out for upcoming Half Gringa appearances in Chicago this spring.

Samantha Weisenthal on February 14, 2019
Jack Symes - City Fog

Jack Symes - City Fog


Los Angeles singer-songwriter Jack Symes releases his debut album tomorrow but today we're giving you a sneak peak into the record. "City Fog" is steeped in folk, from Symes's distinct voice to its simple production. The title is a familiar concept to any Angeleno, but Symes's comparison of the city fog to disappearing memories is clever and endearing. Musically the song starts out with Symes’s voice accompanied by an acoustic guitar and then introduces us to Brittany Hanson's vocals, which color the song with harmonies and vocalizations. The horns add warmth to the sound and keeps us from thinking that this meant to be solely a "sad song." While the concept of memories fading and love dying are definitely melancholy in nature, we also get the idea that this is just part of life, and at times good for us. Sometimes we want to hold onto the memories, other times it's too painful when they're still so fresh in our heads. Symes seems to speak to both sides — not wanting to let go, but also knowing that when you do, moving on will be easier. Though the indie-folk scene is heavily saturated, with an entrance like this Jack Symes is sure to stand out. Take a listen to his debut album Songs For Mom out tomorrow!

Dara Bankole on February 14, 2019
Wyatt Waddell - Untrain My Heart

Wyatt Waddell - Untrain My Heart


On this Valentine's Day we can't help but bring you some songs about love — different than love songs. In "Untrain My Heart" Wyatt Waddell is looking to let go of some things, specifically the affection he has for an old lover. "I can't get over you baby, I'm not even at the age of 25. / The more you run through my brain / The more I think that it's not wiring right." The song starts off with this lament and Wyatt continues to voice his sweet and sentimental frustrations throughout. Growing up on the South Side of Chicago, it makes sense that there is such a strong sense of the past soul and R&B greats in Wyatt's sound. His rich voice is dynamic in nature, showing us its full range in a matter of seconds. This up-and-comer is a multi-instrumentalist who has been made a name for himself in his hometown and has been referred to as "Chicago's Boy Wonder" for his undeniable talent. With the resurrection of soul, we're adding Waddell's name to the list of artists to keep on our radar.

Dara Bankole on February 14, 2019

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