The introduction track to Samia’s debut record The Baby, the original version of "Pool" is a beautifully expansive song. Samia explores a fleeting intimacy, the song bubbling up as more questions come pouring out. With his contribution to The Baby Reimagined, Bartees Strange dials up both the expansiveness and the intimate tone. The intro and first verse deliver an extremely personal moment, so raw, driven by clean acoustic guitars and Strange’s stunning and gentle tone. The two fit hand in hand. Just after the minute mark the song blossoms. Powerful chords extend out like beams of light shooting into the sky while drums push the song onward underneath. Strange stays steady; a rock amidst the chaos, his voice is something to cling to. But, as we turn to the outro, the intensity and building passion overflows. The questions come pouring out again as the effects on the vocals give it a harsh edge, an edge that puts the visceral emotion of the moment front and center. “Is it too much to ask?” the refrain repeats over and over, and both Samia and Strange just want to know how long these moments will last, a question set in the assumption that they can’t. The two seem to be hoping that this awareness can empower them, keep them present in some way. It’s a feeling we all experience, a feeling anyone can, proven as both Strange and Samia fill this song with their own style and authenticity. But as the questions get harder, so do the emotions (and in this case, the music). All we can do is try to appreciate what we have when we have it, floating in that pool. Photo by Jessica DiMento.

The Baby Reimagined, featuring covers of Samia's debut record by artists such as Bartees Strange, Anjimile, Donna Missal and more, was released via Grand Jury Music on January 15. 

Indie pop artist Someone’s new song “Playground Love” sounds like walking through a dream. The opening track on her new EP, Airspace, showcases ambient, spacey synths, twinkling, reverberating keys and raw guitar tones working together to create soft, pumping mood music. Someone’s vocal, sung just above a whisper, is dark and velvet-smooth as she beckons her lover like a siren: “I’m your high school lover / And you’re my favorite flavor.” She holds your attention as the instrumentation builds, even when it’s not clear where her voice ends and the strings begin. The lush composition is mysterious and surprising, using slapping percussion and deep, swinging bass to give the song a pulse while amplifying the strings to emphasize the song’s hopeful, emotional center. Perfect for those quiet, contemplative hours of the night, “Playground Love” is soothing and surreal.

“Hologram Lover,” premiering today from Brooklyn-based songwriter and instrumentalist Jesse and Forever, is a lush and full amalgamation of pulsing, eerie soundscapes and catchy, head-bopping beats. The track is just two minutes long but has an arresting composition, packed most notably with nostalgic samples, a groovy bass line, and grungy, rippling guitar. Jesse Scheinin’s vocal—dreamy and wistful in a hypnotic soprano—is transfixing as it guides you through the arrangement, keeping you hooked even though specific lyrics are sometimes hard to make out. Hazy, atmospheric moments awash in oohs which are offset by strikingly clear lines like “You can lie to your friends but you can’t lie to me.” It’s a distorted but pleasant listening experience where latching onto the vocal forces you to lose yourself in the arrangement, and once more, you’ll love every second of it. Surrealist and vibrant, “Hologram Lover” is a unique and carefree party song.

Pearla, the folk-tinged project of Brooklyn-based songwriter Nicole Rodriguez, has a knack for evoking worlds that exist slightly off-center. On her recent release "Quilting", Rodriguez's imaginative lyricism is on full display as she weaves esoteric sentiment into her reflections on love and loss. Smoldering, dreamlike production and a kaleidoscope of sounds—like the creaking of a closing door, or humming overheard from the next room, settle like a haze over Rodriquez's steady folk lilt. Aching turns of introspection—"I should be fine on my own / I was born there / now I’m reaching out with both hands and nothings there"—pull us from the abstract into her inner world, where she parses through the notions of isolation and impermanence. Check out our recent Buzzsession with Pearla, where she performs two tunes from her upcoming release Quilting and Other Activities, out Sept 6 via Egghunt records.

Marika Hackman unveiled a dynamic, emotive, and unapologetic dose of intimacy in her new album Any Human Friend, which dropped August 9 via Sub Pop Records. Wedged right in the middle is “send my love," a track that doesn’t fail to grasp your attention. Hackman captures the biting mix of feelings that arise when something comes to an end with her poignant songwriting and swirling production. The harshness and self-deprecation ripple from beginning to end, “Are you coming home to feel alone / Did you love me tonight, or any night of our lives / It's never gonna be like it was before.” It’s an effort to put herself in the other person’s shoes and examine a turning point in a relationship that can’t seem to be undone. "Send my love" is a sort of reckoning in the aftermath of a difficult situation, which we’ve all experienced in one capacity or another.

Velvet Kove, a 23-year-old artist hailing from Richmond Virginia, is breaking out in the Brooklyn music scene with the help of DummyFresh, a recording artist hailing from Maryland with a background in jazz and classical piano. The two have collaborated on a new track, "Hazel-Green," a song which grieves the loss of a relationship, one which is kept in the present through the small details which only exist between two lovers: waking easily, taking over Park avenue, the feeling of rain entering the apartment. As the artist sings, “You’re the woman in my dreams / I awake easily / My thoughts turn hazel green / Help me”, she is learning how to yearn for what is gone, begging for the past to become reinvented in the future. Velvet Kove and DummyFresh are both members of goodstuff, a new artist collective and record label based out of Brooklyn. With this new track, they are not only creating a name for themselves but for local New York musicians who are putting their heart into music, only asking to be heard, not unlike a song meant for a past lover.

Chastity Belt reminds us that the simpler moments in life are worth remembering with the release of “Ann’s Jam”, the first single off their forthcoming self-titled album. The comforting track progressively floats along as lead singer Julia Shapiro warmly sings about old times the group has had and revels in the meaningfulness of possibility. Chastity Belt masterfully paints the picture of youthful experiences and how things used to be, “We were driving South in your parents car / Singing aloud to scratched CDs / Feeling meaningful, thinking / This is a start / And it'll go on.” At the same time, their narrative tone isn't filled with wallowing—they point towards a hopeful kind of change, a chance for a new start. “Ann’s Jam” is an ode to the friendship that the Seattle outfit continues to share. It also reminds the listener that where your story started isn't always something to skip over or forget. Chastity Belt is officially out September 20 via Hardly Art Records.

Bella Union signee Modern Nature create hushed, melodic folk-pop that gushes with both precision and vitality. Their newest single, "Séance," showcases the trio's delicate nature, spearheaded by Jack Cooper and supported by Will Young, Jeff Tobias, and Aaron Nevue. There are some obvious nods to White Album-era Beatles, with sprawling melodies colliding with stuttering tape experimentation, and a deep reverence for the insular blues of English Folkman Nick Drake. It's a wistfully satisfying listen that hints at the boundless promise of the newly formed band. "Séance" is lifted from their debut album, How To Live, due out August 23rd.

Three years ago, nineteen-year-old Omar Banos was making beats and writing love songs in his bedroom just for fun. Now, he’s known as Cuco, a dream-pop artist with a unique blend of hip-hop and Latin jazz influences who’s currently riding on 3.5 million monthly Spotify listeners. “Do Better” is the closing track off his debut, Para Mi, an album lush with catchy drum loops, cool guitars and breezy Spanglish vocals, but this song’s infectiously smooth beat deserves singular recognition. A groovy bass and jazz-inspired guitar line create a head-bopping beat that nicely compliments the percussion, a tight but muffled drum loop that emulates a vintage style of recording. The track crosses genres and cultures as it seamlessly weaves English and Spanish lyrics with soothing ahhs as Banos sings about the universal language of love. Conversational in tone and smooth in cadence, Banos’ leisurely vocal delivery perfectly offsets the intensity of the lyrics: “Baby I’m gonna do better for you / Because I love you with my heart.” Breezy and cool, “Do Better” is a summer love song that will bring out the romantic in all of us.