Modern Diet’s “Side Effects” starts off so carefree, a sort of bedroom surf-pop rumination on a hazy weekend. But by the second time around the verse, the good vibes start to wear off and the nasty side effects kick in. A heavy distorted guitar swings from side to side, the whole band sputters with the drums and the “here we go again” that kicks off the chorus sounds less playful and more urgent. Wild nights turn into the inevitable mornings and singer Jake Cheriff is fighting that constant battle with his internal critic and his alarm clock, singing, “It’s time to get out of bed / Try not to think about it / I see you thinking ‘bout it / Try not to think about it.” In the final tempo change, that nervous, joyous moment when the song is nearly bursting at the seams, you can almost hear Win Butler yelling, “You better look out below.”

“Side Effects” is the first track from Sit Down and Dance, a recently released collection of old songs. Cheriff, in a Facebook post announcing the release, describes his younger self, who wrote these songs, as “a ridiculous person overflowing with angst and passion.” For Cheriff, hearing the song now “is as strange… as the future has turned out to be,” but that’s no surprise — if the song goes through phases as the Jake of yesteryear who is affected by, well, everything, then the Jake of today is listening to the song having seen a few more of those phases. It’s a rare gift to be able to peer so clearly at one’s younger self, so full of overblown emotions flying every which way, but Cheriff has let us in on that private moment, polished with the tools of the talented producer he has become.

Henry Jamison is a storyteller at heart. It may be in his blood — his father, a classical composer, and his mother, an English professor — but Jamison is a writer and artist in his own right, evidenced by his debut album The Wilds (released October 27th). Beyond writing, recording and arranging the album all on his own, Jamison has a special ability to bring each track to life. Take his song, “The Wilds”: it’s instrumentally rich without being overbearing, letting Jamison’s narrative whisk you away. “The Wilds” sounds like an old-time American love story - unassuming and familiar, but nevertheless, still surprising.

Los Angeles genre-bending artist Moses Sumney released his gorgeous and ethereal debut album Aromanticism into the world this September. Sumney has made a big impression on artists like Solange and Sufjan Stevens for good reason. His infusion of soul and folk come together on this album in a way that leaves us begging for more. A prime example of this heavenly blend is found on the third song of the album, “Plastic.” A previous version of the song can be heard on the first season of Issa Rae’s HBO series, Insecure. This new version serves as one of the more simplistic songs on the album, featuring just a fingerpicked electric guitar, a synth and Sumney’s captivating voice. The hook of the song repeats the line “my wings are made of plastic,” each time sung in a slightly different way than it was before, continuing to imbue the phrase with new meaning. This song of vulnerability, self-awareness and secret-spilling is the kind that you can leave on repeat and get lost in for hours.