Rarely does a new music release come as loaded with historical context as Jorja Smith’s “Rose Rouge.” The track is part of the Blue Note Re:imagined project, a collection of songs previously released on the renowned Blue Note jazz label, reworked by different artists. Released in 2000, the original recording by French jazz musician St. Germain featured drum and bass samples from the iconic “Take Five” by Dave Brubeck, incorporated into a loop. In spirit, the new version harkens to ambient electronica and acid jazz styles of the early 2000s, particularly with its intricate drum patterns. However, the production seems to feature all analog instruments played by high caliber musicians. While the performances are pristine and clearly studio-recorded, the track has a decidedly live jazz club feel. Smith vocalizes throughout the track, singing variations of the same line, a nod to Marlena Shaw’s vocal sample in the original version, derived from a performance of "Woman of the Ghetto" from the album, Live at Montreux. Somehow, Smith manages to spotlight her vocal agility while simultaneously showing impressive restraint, demonstrating a true understanding of the jazz genre. Smith has already paved an impressive career in the industry, having garnered a GRAMMY nomination, the opening slot on Bruno Mars’ 24K Magic World Tour, and collaborated with the likes of Drake and Kendrick Lamar. Now, she proves her prowess in a genre that’s tough to crack as a pop/R&B artist, earning a seat at the table with the most prestigious jazz label there is.