Blast From The Past Japanese Breakfast - In Heaven
Treefort Music Fest is making its long-awaited return to Boise from September 22-26. All month long, we'll be featuring our favorite tracks by artists from the 400+ lineup, which includes Wild Honey Pie favorites like Japanese Breakfast, Tennis and The Marías.
The festival, originally scheduled for March 2020, was postponed due to COVID-19. To ensure the safety of attendees, Treefort will be requiring proof of vaccination or a negative COVID-19 test result, as well as encouraging festivalgoers to have masks on hand, as various forts will be mask-only. According to Festival Director Eric Gilbert, “This unique September version of Treefort is shaping up to be one of our best yet and we are looking forward to bringing the Treefort family back together to share and discover great music.” Tickets and more information are available here.
Michelle Zauner has had a phenomenal summer, riding the tides of the No. 2 New York Times Best Sellers debut of her memoir, Crying in H Mart, and the critical success of her eclectic third record as Japanese Breakfast, Jubilee. Where the golden yellow of Jubilee nestled into my summer music rotation as an exploration of joy after an emotionally draining past year and a half, I found Crying in H Mart, by contrast, challenging. I hit pause on reading several times, not a fault of her vivid prose, but the guilt it triggered over my relationship with my own parents (who, worth mentioning, are alive and well). The Asian American parent-child dynamic is a singular and difficult one, oftentimes devoid of surface-level kindness, understanding and emotional honesty. Dog-ears and underlines strewn about my book note the moments Zauner's words hit hardest, from reflections of
I think about my childhood refusal to eat runny egg yolks, and how whenever I visit my family, dad frying eggs over hard
Photo by Peter Ash Lee.
— Ysabella Monton on September 16, 2021
JR JR - Clean Up
Indie favorites JR JR, formerly known as Dale Earnhardt JR JR, have returned to the scene with new music after their self-titled LP back in 2015. The new single, “Clean Up” offers a look at the mind of someone coming to terms with their addictions and indulgences. The duo uses a throbbing bass line, simple plucked guitar and harmonies to illustrate the conflict that happens when one willfully chooses something that is bad for them. “Clean Up” brings JR JR to a more provocative realm, and one that we are excited to see more of in the upcoming album.
— Nick Arcos on January 7, 2018
Henry Jamison - The Wilds
Henry Jamison is a storyteller at heart. It may be in his blood — his father, a classical composer, and his mother, an English professor — but Jamison is a writer and artist in his own right, evidenced by his debut album The Wilds (released October 27th). Beyond writing, recording and arranging the album all on his own, Jamison has a special ability to bring each track to life. Take his song, “The Wilds”: it’s instrumentally rich without being overbearing, letting Jamison’s narrative whisk you away. “The Wilds” sounds like an old-time American love story - unassuming and familiar, but nevertheless, still surprising.
— Natasha Cucullo on January 7, 2018
Moses Sumney - Plastic
Los Angeles genre-bending artist Moses Sumney released his gorgeous and ethereal debut album Aromanticism into the world this September. Sumney has made a big impression on artists like Solange and Sufjan Stevens for good reason. His infusion of soul and folk come together on this album in a way that leaves us begging for more. A prime example of this heavenly blend is found on the third song of the album, “Plastic.” A previous version of the song can be heard on the first season of Issa Rae’s HBO series, Insecure. This new version serves as one of the more simplistic songs on the album, featuring just a fingerpicked electric guitar, a synth and Sumney’s captivating voice. The hook of the song repeats the line “my wings are made of plastic,” each time sung in a slightly different way than it was before, continuing to imbue the phrase with new meaning. This song of vulnerability, self-awareness and secret-spilling is the kind that you can leave on repeat and get lost in for hours.
— Dara Bankole on October 22, 2017
