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I Know I Know - Talk
I Know I Know - Talk

I Know I Know - Talk


I Know I Know said, “You know what 2020 needs? A good ol’ 2014-style breakup banger,” and then delivered exactly that with their latest single, “Talk." It’s got an infectious syncopated pulse that tugs your body out to the dance floor. True, that dance floor is your room with a Bluetooth speaker hopping across your desk, but it doesn’t matter. Coiled tight, under stress, it was only a matter of time until you exploded somehow. The intense kick drum shakes apart any thoughts, leaving only feelings in their place—and feelings, you can deal with. Feelings, you can drown. They don’t stand a chance against the electronic effects and noise. Melting into movement for yourself and absolutely no one else feels cathartic, in a rabidly selfish way. The moment is yours, and you refuse to share it. You are wrapped in yourself completely, and it feels good. Once you lose your breath, there’s just enough space cleared in your brain to think about someone else. You consider yourself in context, exploring your actions from multiple perspectives. Yours. Theirs. Not all the angles are pretty, but they’re not all ugly either. It might be too little too late, but you finally got there. That should count for something, you think, even if it doesn’t. "Talk" ends with an unspoken question dangling off the edge of the track. It’s an eternal question, as terrifying as judgement day: “If I call you, will you answer?”

Allison Hill on November 30, 2020
There's Talk - A Slow Return

There's Talk - A Slow Return


“A Slow Return” is out ahead of Oakland-based There’s Talk’s third EP Great Falls, expected December 18; it’s a meditative, spellbinding audio journey through the psyche of singer/songwriter Olivia Lee, who pulls from her identity as a queer woman of Chinese heritage. You have to really listen to pick out individual lyrics, but spellbinding synths and lofty guitars create a sensory experience. Listening to “A Slow Return” feels like entering a fugue state, a velvet fog from which you may never want to return.

Corinne Osnos on November 23, 2020
Halo Kitsch - Do You Feel Like A Sinner Yet?

Halo Kitsch - Do You Feel Like A Sinner Yet?


LA's Halo Kitsch presents a heartbreaking serenade about mixing up love and trauma with "Do You Feel Like a Sinner Yet?" Guilt, loss and PTSD are translated easily into the slow march of acoustic guitar, the rhythmic snapping and the quiet whistling. The song feels like a prayer for forgiveness delivered in a now-empty room that was once filled with hope, even if illuminated by gaslight. 24-year-old Katrina Kerns is not new to breakup songs or writing about being hurt by old lovers. What gives the new single a special place on her repertoire might be the feeling of a fresh wound that comes from the realization that the memories you thought you missed were just mutual harm, observed, first through pink, and now through grieving glasses. "Do You Feel Like a Sinner Yet?" is the fifth track from the singer-songwriter, who started sharing her truth this year and is only getting started.

Giulia Santana on November 23, 2020
347aidan - Dancing in My Room

347aidan - Dancing in My Room


I love this one, it’s the perfect bedroom pop-ish type of song. Aidan is one of the most passionate artists I’ve spoken to and this is def a hit! — Claire Rosinkranz

Follow Claire Rosinkranz on Instagram so you can stay up to date on her latest releases. And make sure you check out her music video for the newer version of "Backyard Boy" with Jeremy Zucker.

Alessandra Rincon on November 20, 2020
Ice Cube - It Was A Good Day

Ice Cube - It Was A Good Day


This is another bop/throwback for the car. I vibe out to this one pretty hard :) — Claire Rosinkranz

California native Claire Rosinkranz brings classical work ethic to alt-pop song-scapes in her 2020 EP BeVerly Hills BoYfRiEnd. At 16, Claire says the discipline and work ethic she learned from years of classical ballet training turned into a passion to be the best at everything she does — including making music.

Alessandra Rincon on November 20, 2020
Emilee Emiko - Quiet

Emilee Emiko - Quiet


"Quiet" by Emilee Emiko is a cool and reassuring drink of water in a chronic anxiety-driven dry spell. The track opens with a mellow grove and dreamy harmonies that sound like a pastel, upbeat Phoebe Bridgers. Relentlessly buoyant and easygoing, Emiko’s voice flows through verses about embracing your own agency through acknowledging what’s outside of your control. After all, if everything’s in your control, the next logical stop is that everything is in some way your fault. (Spoilers, it’s not.) You don’t exist in vacuum; you’re influenced by your circumstances and sometimes you can influence them right back. Sometimes not. Or, as Emiko eloquently sings, “If the world’s gone mad, well so have I / I put up a good fight.” It’s not a resigned sigh of defeat — the upbeat percussion, major harmonies and cheerful picked arpeggiations definitely say otherwise. It’s more like an acknowledgement that in order to adapt to unusual circumstances, you’ll probably react a bit unusually. It’s not indicative of how you’d behave under normal circumstances; that speculation is like comparing oranges and bananas. Instead, it’s healthier to slow down a bit and yield control to where you are. Take some time to process where you are, honestly. You can figure out where you have agency to move somewhere after, but it’s always worth taking a moment to get your mind quiet first. You might even find a piece of peace in it. Photo by Elsa Oluja.

Allison Hill on November 20, 2020
Felix Räuber - Colors

Felix Räuber - Colors


German singer-songwriter Felix Räuber exposes love’s intrusive side in his latest single, “Colors.” Minimalist, droning and orchestral, the track builds an echo chamber for pining verses and a chorus that gives full authority to the speaker’s love interest. “You even control the colors in my head,” he sighs in disdain, “You even control the choirs in my head.” Räuber surrenders his own sense of presence for a distant light projection. The genius here lies in the song’s tonality — ironically gray and chromatically chilled. Overall, it is a moment of silence for romance turned sour, interrupted by noise in the spirit of unrequited love’s persistent voice. Photo by Madlen Krippendorf

Daphne Ellis on November 20, 2020
Kishi Bashi - Penny Rabbit and Summer Bear

Kishi Bashi - Penny Rabbit and Summer Bear


Today we are announcing In The Mix, our new collaboration with Desert Door Texas Sotol, supporting the music and food industries that have been devastated by the pandemic. In The Mix pairs artist-curated playlists, free merchandise and a discounted Desert Door cocktail with the purchase of a special restaurant creation from select partnering restaurants in Atlanta, Boulder and Nashville on December 7-14.

In Georgia our In The Mix artist is Athens-based singer-songwriter Kishi Bashi. He helped inspire the special dish from Atlanta's Talat Market — Thai-style sautéed bay scallop and persimmon warm salad, complemented by a Desert Door cocktail with Ancho Reyes Verde Chile, fresh pineapple and lime juice and agave.

Listening to Kishi Bashi is comparable to floating through the most golden day that ever existed in the landscape of your favorite childhood storybook. “Penny Rabbit and Summer Bear” is a light and gleeful representation of the whimsical sound that Kishi Bashi is known for. With the delicate plucking of acoustic guitar accompanied by a soft stream of glimmering chimes, this track infiltrates the monotony of the day and creates within it a glimpse into a more pure, more courageous existence. This sentiment reigns true over all of Kaoru Ishibashi's musical inventions; there is a certain pureness and clandestine invitation into goodness surrounding his growing body of work. Photo by Rachael Renee Levasseur.

Laney Esper on November 19, 2020
Becca Mancari - Bad Feeling

Becca Mancari - Bad Feeling


Today we are announcing In The Mix, our new collaboration with Desert Door Texas Sotol, supporting the music and food industries that have been devastated by the pandemic. In The Mix pairs artist-curated playlists, free merchandise and a discounted Desert Door cocktail with the purchase of a special restaurant creation from select partnering restaurants in Atlanta, Boulder and Nashville on December 7-14.

Nashville's In The Mix artist is indie singer-songwriter Becca Mancari. Nashville staple Butcher & Bee has put together a special dish inspired by Mancari's complex songwriting and Americana influence — charred octopus with fermented pepper sauce, broccoli rabe, charred citrus and a delicate blanket of country ham. Paired with the meal is a special Desert Door cocktail, the Mexican Queen, with blood orange juice, orange zest, ginger beer and lime.

On "Bad Feeling," Becca Mancari's voice rings like a church bell, pure and clear and hanging in the air. “With your hands around my throat and I say baby, please, don’t” — she places each word carefully, as if it may break, but the music isn’t dramatic or intimidating. She has a bad feeling, but she doesn’t sound surprised. If anything, the music sounds laid-back, like a breeze streaming in the windows on a warm spring day. It’s soft-rock but in an intentionally sweet way. The nonchalant flavor is a stark contrast to the harsh lyrics: “Isn’t it hard when you see me for the first time and it breaks your heart?” After the second verse we enter what seems to be a bridge, but it’s really just the song deteriorating into voices, phrases, pieces of guitar and drums and bass harmonics echoing into the ether. Photo by Zac Farro.

Mikhal Weiner on November 19, 2020
Big Head Todd and The Monsters - It's Alright

Big Head Todd and The Monsters - It's Alright


Today we are announcing In The Mix, our new collaboration with Desert Door Texas Sotol, supporting the music and food industries that have been devastated by the pandemic. In The Mix pairs artist-curated playlists, free merchandise and a discounted Desert Door cocktail with the purchase of a special restaurant creation from select partnering restaurants in Atlanta, Boulder and Nashville on December 7-14.

Our Boulder artist for In The Mix is the beloved local rock band Big Head Todd and The Monsters. Blackbelly has crafted a special dish in homage to the band — koji-cured pork with sugarloaf chicory, pomegranate, charred leeks, pistachio crumble and pancetta. Patrons can complete the meal with the discounted Bitter Heart cocktail made with Desert Door sotol, cynar, lime, simple syrup and bitters. 

To celebrate our collaboration, we are journeying back to 1993 with Big Head Todd and The Monsters’ “It’s Alright.” Off of these Colorado boys’ album, Sister Sweetly, this track is the epitome of every slow, swaggering jam this 90’s child grew up on; it’s riding in the back of my dad’s car on the way to school, sharing the same home-burned CD real estate with “Breakfast at Tiffany’s” and “Mother and Child Reunion.” The vamping guitar, relaxed, methodical groove and ever-charismatic vocals of “It’s Alright” come together to create a track that’s as perfectly at home as I write this from a rainy San Francisco as it always is onstage at their native Red Rocks. Big Head Todd and The Monsters have carved a truly timeless place for themselves in the rock genre over their impressive 30-year career together, and as evidenced by their 2020 release, We’re Gonna Play It Anyway - Red Rocks 2020 (Live), they’re, thankfully for all of us, as tight as ever.

Stephanie Lamond on November 19, 2020
Briston Maroney – Freakin’ Out On The Interstate

Briston Maroney – Freakin’ Out On The Interstate


I always listen to this song while driving to the beach with all my windows down. It has the best carefree vibe to it :) — Claire Rosinkranz

Claire Rosinkranz has referred to her sound on the BeVerly Hills BoYfRiEnd EP as "alternative-blues-pop." Throughout the EP, she sonically depicts the see-saw of emotions associated with being a teen in 2020, especially on tracks like "Tough Guy" and "Seriouslaaay.”

Alessandra Rincon on November 18, 2020

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