Hanna Jadagu - My Love
What was the vibiest moment of your life? Maybe it was at a party, maybe it was traveling somewhere new, maybe it was sticking your head out of the car window and feeling freer than you ever had before. Whatever your best vibe is, we can guarantee Hannah Jadagu has the music for it.
Hannah’s effortless blend of a modern synth aesthetic with grooves that rival the 60s creates the perfect score for the moments in life that feel too good to be true. And whether you’ve been a fan since the What is Going On? days or you’re as obsessed with “Doing Now” as we are, you know Hannah can do it all. She floats between indie, R&B, and dream pop queen energy like it’s nothing, and we have literally yet to find a situation that wouldn’t be made better by getting some Hannah Jadagu playing. And it doesn’t hurt that she’s one of the coolest people ever 💞
We know we’re not the only ones fangirling here. So help us celebrate the release of Hannah’s new album Describe on October 23, 2025, at Paulie Gee’s Slice Shop in Brooklyn, with The Wild Honey Pie Little Pizza Party, featuring a 2-song set with Hannah Jadagu! Presented by Kirin.
All guests get free Kirin beer and Paulie Gee’s pizza (with vegan options) while supplies last, and there will be plenty of Spindrift® SODA and Vessel Life Science goodies throughout the night as well 😉
We’ll also be celebrating the release of Paulie Gee and Mary Ann Giannonne’s cookbook, Pizza From The Heart! If you’re lucky, maybe you’ll even leave with a signed copy.
This The Wild Honey Pie Little Pizza Party is presented by Kirin, with support from Partiful, Spindrift® SODA, Vessel Life Science, and Consequence, our exclusive media partner. We are so grateful to these very fun brands for believing in The Wild Honey Pie ♥️
And while it’s not required, we hope you’ll consider donating to Kiss the Ground, an organization finding climate solutions through regenerative farming. Learn more about them here.
Or, bid in our auction, benefiting Kiss the Ground, for a chance to win two tickets, a signed record, and 15 minute drinks with Hannah!
RSVP here for a chance to hang with us and Hannah! We can’t wait to see your cute faces 🥰
Art by Justine Jossart.
— Delaney Durbin on September 24, 2025
No Vacation - Days
Dream-pop act No Vacation revives its signature nostalgic sound with the warm and vibrant “Days.” The track was released along with the announcement of a new EP, called Phasing, which premieres October 18 via Topshelf Records. The atmospheric surf-rock drums and wavy, bright guitar tones provide an inviting opener with a breezy, bopping beat. Reminiscent of Beach Fossils, the instrumentation is lush and vivid with a crystal-clear production style. It builds to a nearly 2-minute long jam session packed with full, rich sounds and a shredding guitar solo, epitomizing the track’s carefree late-summer feel. But all of that may as well be background noise to singer Sab Mai’s dreamy vocals. Delicate and subdued, Mai’s voice melts into the song with velvety-smooth movement and ease; you’ll want to hang onto every lingering word. “Days” is a cool, beachy jam with a fun, bopping beat you’ll want to listen to again and again.
— Britnee Meiser on October 3, 2019
(Sandy) Alex G - In My Arms
Alex Giannascoli, better known as (Sandy) Alex G, released his new LP House of Sugar a couple of weeks ago via Domino Records. In the project, he offers up a series of enduring narratives that bring more comfort upon each listen. Alex G’s music can be described as mysterious or unclear—this effort holds a unique open-endedness that takes you down multiple avenues of possibility. At the tail-end of the record sits “In My Arms”, a folky, sweeping ballad of desire and circumstance. The bouncing, acoustic strumming sets the pace as Giannascoli’s voice skates along and he dives into his bittersweet recollection. He provides a warm snapshot of the intimacy we all yearn for, “I take it in, I do without / I never care what we talk about / Pull up the car outside your house / Took out the seats so we could lie down.” The track offers a glimpse into his imagination of what a picture-perfect situation would be if he was with someone meaningful; co-existing in blissful silence with that ideal person is something that we have all dreamed of.
— Meredith Vance on October 3, 2019
Ryan Egan - Cruel Times
Eerie, ambiguous and dark, Ryan Egan's most recent single "Cruel Times" lives up to its sobering name. The song is deep, dark synth-pop at its finest. It possesses Egan's precise command of production: a style that entices the listener with equal parts accessibility and surprise. Egan's vocalization is especially emotionalized in this track, taking on a harsh dichotomy between the chorus and verses. His typical dreamy falsetto is contrasted with baritone talk-singing—speaking his verses like melodic slam poems. The lyricism is politically charged, venting frustrations with apathetic leaders regarding their climate indifference.
— Hannah Lupas on October 3, 2019
Anna of the North - Dream Girl
Scandanavian artist Anna of the North further cements herself as a pop force with her newest single “Dream Girl.” It’s light and catchy with bright keys opening the breakup track. She cycles through all the traditional breakup emotions as she sings about visiting their old spots in hopes of bumping into her ex before launching into a bit of denial in the chorus, “In my dream world / I’m still your dream girl / No if, but or maybes / I’m still your baby.” It’s the song for everyone who hasn’t yet reached the “I hate you” phase of a breakup. You still want that person to love you back. The animosity hasn’t built up in your system. Just like Anna, you might pick up the phone at 3 am just to hear their voice even though you know it won’t yield the results you’re hoping for. “Dream Girl” is the first single and title track to Anna of the North’s sophomore album due out October 25.
— Corey Bates on October 2, 2019
Gardens & Villa - Rosie
LA indie rockers Gardens & Villa have released the dreamy, atmospheric single “Rosie.” An early collaboration with the late Richard Swift, the lo-fi jam is like a psychedelic walk through nature. Nostalgic guitar tones, spacey synths, and a wispy flute are vivid additions to the arrangement, which is lush with colorful, mystical sounds and imagery, and is perfectly suited to the season. Soothing, washed-out vocals and a faint, cozy piano add depth and darkness, while the lyrics serve to further immerse you in the folk-rock track’s catchy, swaying beat: “Midsummer night's / Dreamy eyes of a fool / When I’m drinking with you again.” Mysterious and warm, “Rosie” is a feel-good track for cloudier days.
— Britnee Meiser on October 2, 2019
King Princess - Ain't Together
King Princess craves commitment and certainty with her partner on "Ain't Together," the latest in a string of singles preceding her debut album, Cheap Queen. A listless sense of longing permeates the song as King Princess, aka Mikaela Straus, finds herself stuck with someone who will say "I love you," yet deny to others that they're in a relationship. Self-consciously, she ponders, "Do you think labels make it taste much better?" desperate to sound nonchalant. "Baby you ain't gotta worry about nothing," Straus assures her partner, though it's clear that it's herself she needs to convince. With a breezy choir humming casual "Ah's" and "Do-do-do's" throughout the track, you almost start to believe she's comfortable in the in-between, until she admits, "Oh it kills / I ain't chill at all, at all." The song features a drumbeat from Father John Misty that's as effortlessly compelling as her hazy, psychedelic rock guitar. Alongside previous rock-driven single "Prophet," "Ain't Together" has Straus traversing genre without losing her delightfully unique melancholy-tinged pop essence. Cheap Queen is due out on October 25, marking the first full-length album to be released on Mark Ronson's Zelig Records.
— Ysabella Monton on October 2, 2019
Brittany Howard - Short and Sweet
Timeless and emotional, “Short and Sweet” is an entrancing acoustic ballad from Brittany Howard’s debut solo album, Jaime. The stripped arrangement, inspired by blues and old soul, is soft and intimate, like walking peacefully into a dream. Singing with just a guitar and a wash of white noise, the track finds Howard, the lead singer and guitarist of Alabama Shakes, at her most vulnerable. Channeling the likes of Billie Holiday and Nina Simone,Howard’s vocals are close, raw, and so gorgeous. The lo-fi production emphasizes the track’s timeless feel, giving Howard’s voice a velvety, hypnotic sort of appeal. The lyrics, much like the song title, are simple and powerful, and Howard’s easy croon makes them feel effortless. “I may be a fool to dream of you,” she sings, “But god it feels so good to dream at all.” “Short and Sweet” proves that the queen of modern soul does quiet just as well.
— Britnee Meiser on October 1, 2019
Corinne Bailey Rae - Jersey Girl
"Don't you know that all my dreams come true when I'm walkin' down the street with you?" Corinne Bailey Rae's dreamy revamp of Tom Waits' "Jersey Girl" is made of the same stuff Old Hollywood love was built on. The British soul singer is part of the upcoming Come On Up To The House: Women Sing Waits, a Tom Waits cover album featuring names like Aimee Mann, Phoebe Bridgers and The Wild Reeds. For her part, Bailey Rae picked the 1980 hit that was on Waits' Heartattack And Vine album. In an interview, she explained that she loves how the song expresses so clearly "the rush of first love" and "the thrill of finding the one in a crowd of many.” The song, which was already memorable to those of us who have been in love with our own Jersey girl, gains a new life with Bailey Rae's sweet and captivating voice and allows a whole new set of feelings to settle in the hearts of the listeners. After all, "Nothin' else matters in this whole wide world, when you're in love with a jersey girl." Come On Up To The House: Women Sing Waits comes out on November 22.
Painted On - Passed Forward
Today, Brooklyn-based indie duo Painted On premieres their second single, “Passed Forward.” The melancholy song is somewhat of a more austere ballad in comparison to the band’s first release, “Fall,” which creeps through an electronic ascension of slow, ambient percussion. In “Passed Forward,” Painted On’s comprising members Hillary Capps and Anthony Farina explore their signature cinematic crescendos alongside something folksier and more stripped down. Sounding not entirely unlike Of Monsters and Men’s 2012 sensation “Little Talks,” Capps and Farina find a vocal meeting place amid layered echoes and exultant chants with the refrain’s grounding hook: “You’re my home.”
— Lindsay Thomaston on September 27, 2019
Ackerman - A Day At The Beach
Ackerman’s “A Day at the Beach” follows “84 Palms,” their first trippy, Animal Collective-inspired single from their upcoming EP, A Million Sunflowers, due out November 1. The Brooklyn trio started out as the solo USB-microphone recording project of singer Jordan McAfee-Hahn, but the “yummy collaborative effort” has evolved to include over a dozen members. That sort of sprawl is present in everything they touch—“A Day at the Beach” is a six-minute song, more than half of which is instrumental, taking its sweet time with an echoing guitar solo. On “A Day at the Beach,” the band concerns itself primarily with the feeling they evoke. When Bernardo Ochoa sings the opening lyrics, “Come sink / To the sea / It’s so sweet,” he sounds like a siren, beckoning the listener to join him, to float endlessly away. In the lead-up to the release of “A Day at the Beach,” Ackerman has been teasing the song with photographs of band members on beaches, accompanied by the song’s other terse lyrics: “The sun / Over me / And the beach,” or “My toes / Are sandy, yeah.” Sprawling, moody, and self-aware.
— Daniel Shanker on September 27, 2019