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Prateek Kuhad - 100 Words
Prateek Kuhad - 100 Words

Prateek Kuhad - 100 Words


Fans of Passenger or Destroyer, listen up: we’ve got your new favorite artist. His name is Prateek Kuhad and he recently released his new EP,  "cold / mess." Produced by Kuhad as well as Peter Groenwald and Konrad Snyder, an EP highlight is the closer, “100 Words.” The instrumentation is simple, featuring an acoustic guitar and echoed-out piano chords. Kuhad’s voice is light, almost like a quiet whisper, but his soft delivery combined with heart-wrenching lyrics packs a powerful punch. "cold / mess" is out now.

Kirsten Spruch on August 13, 2018
DYAN - Absence

DYAN - Absence


On “Absence,” the title track from DYAN’s forthcoming EP, the indie trio creates a spacious world full of Lana Del Rey-esque vocals, eerie synths, and whimsical acoustic guitar. If you listen all the way until the end, you might even get a little taste of a perfectly utilized saxophone. Much like the song title, it does feel like something is emotionally absent as singer Alexis Marsh sings from a distance, but that’s what makes it so mysterious and ghostly. DYAN consists of Marsh, Samuel Jones, and Dan Dorff Jr and their EP Absence is due out soon. 

Kirsten Spruch on August 10, 2018
Drinker - FRAGMENT II

Drinker - FRAGMENT II


A collaboration between LA songwriter Aaron Mendelsohn and NY producer Ariel Loh, Drinker writes what's been referred to as “downtempo psych-pop,” melding Loh’s analog production techniques with Mendelsohn’s dreamlike lyrics. Loh, who had just written a hazy, ambient score for The Eyes Of My Mother, attracted the attention of Mendelsohn in 2016. Both based in NYC at the time, the duo collaborated in Loh’s Astoria studio, building a minimalistic soundscape for Mendelsohn’s densely figurative writing. 

“FRAGMENT II,” a track from the now country-spanning duo’s upcoming record Fragments, is a similarly tranquil track about splitting up with, and letting go of, a lover. A series of vignettes inspired by the narrator’s personal life will comprise “Fragments,” which ultimately seeks to review those events and allow the narrator to take responsibility. It is an introspective record that uses its sparseness to develop the narrator’s self-reflection, delving into the psychology of his failed relationships and personality flaws. What seems initially like a calming electro-pop tune proves to be a perplexing walk through its narrator’s psyche.

Haley Walker on August 10, 2018
Taylor Janzen - Colourblind

Taylor Janzen - Colourblind


Taylor Janzen is as honest as it gets. "Interpersonal" her debut EP out today, depicts a sojourner on a journey of self-exploration that diverges from the way life was approached during her religious childhood. In "Colourblind," Janzen sings of what it's like to live through the darkness of questioning God's intentions and even mental illness surrounded by people who don't seem to get it. Still with heart and unbridled power she sings, "I am bitter but just know this / I will not feel ashamed to exist." This noteworthy declaration reminds us that even if at the moment being alive in equivalent to being stuck, confused or mentally ill, no someone should be robbed of their human dignity. With artists like Julien Baker and Phoebe Bridgers paving the way, Janzen proves that this era of honest-to-God, women singer-songwriters is just getting started. Taylor Janzen's voices shines with quiet might and is not only to be heard but listened to. 

Dara Bankole on August 10, 2018
Adler Hall - Teresa

Adler Hall - Teresa


There must be something in the water in Brooklyn making our music scene better than ever.  Adler Hall, this five-piece from varying musical backgrounds, is no exception to this phenomenon. The band has restructured following their 2016 album Tourist, which plays around the edges of synth and experimentation while centered around the folk-like focus of storytelling. Coming together to write and record their unique take on modern chamber-folk  Adler Hall is back with their newest single "Teresa."

"Teresa," the lead single off their upcoming LP, Beware the Water, keeps much of the band's narrative foundation alive with lyrics like, “Tired of the fortunes you seem never to appear in / you smile at me, your teeth stained gray with the wine that I poured for you / though it’s nice you ask, it won’t change anything I see.” “Teresa” is clearly an important figure as these lyrics help portray a long and complex love story, one that has swung up and down and though the singer has run away from their love, she always seems to comes back. Wedding love ballad it might not be, but nonetheless, it is lyrically a beautiful song. Composer, Henry Hoagland builds upon the typical guitar-led folk song with a more strategic approach, incorporating electronic elements as well as fully utilizing the keyboard which they had only touched upon in their previous release. Beware the Water is expected to release this upcoming October and we're excited to see this continued development from the amalgam that is Adler Hall.

Nick Arcos on August 9, 2018
Helena Deland - Claudion

Helena Deland - Claudion


At the intersection of electronica and harmonic indie pop is Montreal’s Helena Deland, whose records evoke everything from Crystal Castles to Patrick Watson. Effervescent as Deland’s high, airy vocals are, “Claudion” bears markedly dark lyrics — the narrator talks about breaking into her own home to find a roommate or lover lying on the floor, presumably incapacitated. She says to the person, “I can look after you / but, girl, you should look after yourself,” caught between wanting to help and feeling helpless in the face of the person’s substance issues. Deland revealed in an interview that the person in question is actually herself and the narrator a friend who refused to leave Deland helpless after “an intense night out.” It is this intimate specificity in Deland’s storytelling that separates her from the lot of bubblegum dream-pop artists of late — her work pairs the same intricate textures and infectious beats with haunting personal narratives.

Haley Walker on August 9, 2018
Swearin' - Grow Into A Ghost

Swearin' - Grow Into A Ghost


Drawing inspiration from 90s power-pop alt-rockers like Juliana Hatfield, Swearin’ have perfected the art of warm, light-hearted indie. Singer Allison Crutchfield sings with a looseness that’ll have you rewinding to hear whether she’s repeating the words “I watch you” or “chihuahua,” and you’ll be totally OK with either. DIY guitar lines squeal with glee, and the overall production style maintains the endearing qualities of your friend’s college band, but with the songwriting chops of a pop music factory. “Grow into a Ghost” is a joyous romp that’ll have you longing for the days of summer gone by as it winds to a close.

Michael O'Neill on August 9, 2018
Summer Like The Season - Wakey

Summer Like The Season - Wakey


Most of us in NYC have been experiencing the woozy side effects of this scorching early-August weather, but for a moment let’s attempt to conjure the pleasant aspects of summertime (outside the city…). An ice-cold cherry red popsicle melting on your lips as you dip your toes in a perfectly chilled swimming pool while listening to Summer Like the Season’s latest track, “Wakey.” No other song by the electro-art rock quartet so fully personifies their name and general essence. The lead singer, Summer Krinsky has turned a tired name joke into a fresh sound, a dreamy sonic collage of floating synths, quivering bass, and warm, willowy vocals. The chorus’ lyrics, “It’s time to sleep / I’m wide awake in a daze,” remind us that we’re all living within the spinning wheel of our memories, and each day that passes is just another entry in our rotary index of diary entries. Like all of us, the Detroit-based group is trying to figure out how to get by and make some sense of the world in the best way they can.  Their aural patchwork of haunting melodies and nuanced harmonic textures is a testament to the creative capacity of sound. Sweater weather is still not in sight, so might as well embrace the heat and listen to Summer Like The Season’s “Wakey”.

Andrea de Varona on August 8, 2018
Mass Gothic - How I Love You

Mass Gothic - How I Love You


Husband and wife duo Noel Heroux and Jessica Zambri of Mass Gothic are back again with their whimsy track “How I Love You” from their upcoming album I’ve Tortured You Long Enough. Sung by Zambri, the track is a pure love song featuring spare and simplistic guitar chords and endearing lyrics. In a dreamy and deeply personal tone, Zambri sings of how much she loves her partner and the pain she feels in her heart as she watches him leave for the day. Zambri's lush vocals serenade the listener when singing, “You wave goodbye just to be safe / I count the ways that I love you / I watched you go out my window / and count the ways that I love you.” Midway through the song, as distorted drums and synth are added, the feelings of deep love and pain amplify, keeping listeners in an emotional and dream state, like Zambri's as her lover recedes into the fade out. This stunning and fantastical goth-pop ballad will hit listeners hard and makes for a perfect addition into any out-of-the-box love song playlist.

Alessandra Rincon on August 8, 2018
Julietta - Stripes + Squares

Julietta - Stripes + Squares


“Stripes + Squares” by Julietta uses dream-pop accents to openly discuss and dismantle gender norms and the notion that you're not good enough alone. She challenges the idea of a life lived solely for the pursuit of romance by calling out the girls looking for "a picture-perfect guy" and the guys looking for a "quiet little trophy wife." “Stripes + Squares” the third track off of Julietta's new release Smooth Sailing, carries a catchy upbeat feel that will leave you thinking while grooving along. Using these songs as a means of self discovery and reclaiming strength, each track shines a light on topics that we all struggle with but are at times stigmatized by society. Using her captivating vocals alongside her authentic song-writing, Julietta is a force to be reckoned with in the indie pop scene. Check out her debut album, Smooth Sailing, out today! [photo by Danny Scott Lane]

Madison Hetterly on August 8, 2018
Mountain Lions - In The Valley

Mountain Lions - In The Valley


Steven Diaz’s solo project, Mountain Lions, is melodic introspection set in Appalachia. The Chapel Hill-based recording artist spent three years touring with Cleveland's The Lighthouse and the Whaler before launching his songwriting career. The debut Mountain Lions record juxtaposes Southern metropolitan life — the “Valley” — with the intellectual freedom provided by the mountains. For five years following his The Lighthouse and the Whaler departure, Diaz made trips to the Appalachian foothills, escaping the mentally stultifying Chapel Hill. There, he arranged and composed self-reflective Folk, which he aptly titled “Mountain Lions”. 

“In The Valley” melds the Protestant harmonic traditions of peoples who initially settled Appalachia with 21st-century textures, creating a soundscape that is both timeless and innovative. Like the folklore of millennia before, “In The Valley” uses symbols from the natural world to convey sentiments about the human experience — in this case, the georgic images call for the listener to slow down, reflect, and find peace in being alone. 

Haley Walker on August 7, 2018

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